Witchy

Portrait of a Witch Undone by K.S. Shay is a 368 page debut novel being published by Erewhon Books, an imprint of Kensington Publishing Corp., on August 25, 2026.

Genre/Subgenres

Fantasy, Horror, Paranormal

Description

For fans of Starling House and A Discovery of Witches with a Thomas Crown Affair twist: a contemporary New England coven hides the mysteries that lurk in the marshes north of Boston—and how they are connected to the largest unsolved art heist in modern history.

Once, Maeve Ryan was the strongest witch of her generation. But Maeve messed up a spell to contact the Lady of the Fens, an eerie Revenant who lures the unwary to their deaths in the brackish marshlands of the North Shore. Maeve destroyed her reputation, hurt her best friend Ash, and tainted herself with unbound, wild magic that transforms witches into insane Revenants.

With unbound power eating away at Maeve’s mind, all she wants is to get rid of her magic. Forever. But Ash’s research into how the spell went awry leads in an unexpected direction: the Isabella Stewart Gardner Museum, and a link between the Lady and a decades-old art theft worth $500 million. When Ash disappears through a stolen painting’s empty frame, Maeve has to follow.

Inside is the Other Marsh, a haunting, deadly realm where only the Lady’s rules apply. Within this half-world lie secrets about North Shore’s history, Maeve’s failure, and the fate of the masterpieces that disappeared over three decades ago. But as Maeve fights toward the truth, she risks her friendship, her coven, and her life against enemies hiding in plain sight

Opening Line

Birds call from dying limbs, a harvest moon rises, and I take the commuter rail home to rob my grandmother.

My Thoughts

❧ A coven of witches
❧ A competent, obstinate, scrappy MC
❧ A spell that turns paintings into a prison
❧ A horrifying Revenant with a tragic backstory…plotting her escape
❧ The importance of positive relationships!

Let me begin with the latter portion of this book, which was really something else! I would actually call this a horror novel with an urban fantasy setting. The creepy veiled Lady of the marsh following our characters from painting to painting, plenty of violence via physical fights against enemies (both human and not), flocks of birds following the characters wherever they go—all very menacing! Some of the characters begin the story as friends, some as strangers, and some as rivals, but in a satisfying plot arc they are forced to accept one another as allies and fight the evil that plagues the North Shore coven of Massachusetts together. And then there is the joy of seeing characters who have struggled stubbornly finally take hold of their own power, on their own terms. Witches be GOATed!

They want to reduce me to a legend? Let them. I will be the worst fable they have ever written.

But I will say that at the start of this book, there were a few things I noted that seemed like they might be debut novel issues. Stylistically it initially read like a YA book even though its characters and themes are not, every character was first introduced by their race (bonus points for the inclusion of a nonbinary character, though), the pacing seemed a bit uneven, the rules about the magic system and the paintings involved in the spellwork were hard to follow, and a great part of the tension in the narrative relied on lack of communication between characters–a pet peeve of mine, although admittedly having a reason to withhold certain information is much preferable to the miscommunication trope.

Even if the execution wasn’t 100% a homerun for this reader, by the end I was “all in” anyway. Full of magic tied to the land, mystery, coven intrigue, desperation, the uncertainty of shifting of alliances, a tangential romance subplot, and monsters created though tragedy, this was an action-packed tale with a touching and very gratifying narrative arc—a powerful story!

“I mean, on a scale of one to an unbound, undead Puritan witch, how bad could family be?”

My thanks to Kensington Publishing and NetGalley for the eARC in exchange for my unbiased review.

The Book of Witching by C. J. Cooke is a 384 standalone novel published by Berkley in 2024.

Genre:

Horror, Historical Fiction, Mystery, Supernatural, Witchy

Opening Line:

It’s almost sunrise.

My Thoughts:

In sixteenth century Scotland, wife and mother Alison Balfour is a spaewife whose charms have helped her remote community with various ills and injuries many a time. But she must be careful, as it’s a time when the king has a mind for hunting out so-called witches and eradicating them. This part of the book is written in first person present tense.

In 2024, Clem’s daughter has been horrifically injured in a fire, a blaze that killed the young woman’s boyfriend, who was found with his hand’s bound. The third person who had been present at the time is missing. What were the three of them doing on such an isolated beach? How did the fire start? This part is in third person present tense.

This book answers these questions, and explains how these events 400 years apart are connected to one another via a black book of dark mysteries.

The historical fiction aspect of this book is based off of a true story, but that doesn’t change the fact that the book world has been flooded with stories of women who dabble in natural remedies getting accused of witchcraft, and that portion alone does not do much of anything that these others haven’t done already (although the writing is certainly a step or two up from Weyward). But it was the current day part of the tale that I found myself most invested in. Learning along with Clem how exactly Erin and her friends wound up in that fire in Orkney, and how it related back to the events in the other part of the story, was what kept me turning pages.

This is a witchy mystery story that is part historical fiction, with an element of horror introduced by the black book that is definitely supernatural and won’t let itself be easily disposed of. There is some violence on the page (executions sixteenth century-style), and some descriptions of serious burn injuries. Any sex occurs off page, except for one scene in which it is glossed over quickly as you are told it happened without being subjected to any descriptors.

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