The Morningside by Tea Obreht is a 304 page long dystopian literary fiction novel (with the door left open for a hint of magical realism) first published March 19, 2024 by Random House.

“And I realized that I’d brought you into life at a time when everyone else’s debts had come due.”

This book is narrated by Sil, twelve years old for the majority of the story. She lives in a dystopian version of the world where climate change has really done a number on us. Everyone is expected to do their part to try to help the world heal. Eating meat is illegal. What food you do get depends on what ration cards the government has allotted you this week. Sil and her mother, refugees from a war torn country, are able to move to the once illustrious Island City as part of the Repopulation Program. With the changing tides, much of the island that was once inhabited now lies underwater. Sil and her mother move into the building where Aunt Ena serves as superintendent, a tower of apartments called The Morningside.

Sil’s mother and great aunt couldn’t be more different. As for the former,

The pronouncement of intent, the hubris of self-determination–these did not fit her notion of the universe

She teaches her daughter never to tell anyone their country of origin or to speak their mother tongue outside of the home, never to try to plan for the future but only meet challenges and opportunities as they come, and to leave the past in the past.

Ena on the other hand…

This was part of Ena’s magic. Familiarities you had come to take for granted were transformed by the act of her storytelling. Her version of things became the only one. She could change the reality of something you thought you’d known all your life.

With these two models in her life, even though Ena dies not long after their arrival in Island City (leaving the job of superintendent to Sil’s mother), Sil learns to look for signs of “the world beneath the world”.

I quite liked the writing and tone of this book, but I have to say, all of the characters annoyed me at one point or another. Sil would get so upset with Mila when she in fact was the one being unreasonable. I actually quite hated her mother at times. And at the end, you’re not 100% sure what the real story was with the reclusive wealthy artist Bezi Duras, or the daughter of the warlord Rait Belen, but I gather it’s supposed to be kind of left up in the air for the reader to continue thinking about. In fact, Sil even admits that what is true is not necessarily the point, or at least not the whole of it.

It had been wonderful to stand, however briefly, in the lighted rooms of Ena’s heart and know things as she knew them. But she was dead now. And were you really part of something if you were part of it alone?

This story is sort of unsettling and courageous at the same time, and I quite liked it, even if it’s the ideas I enjoyed more than the details. 4 out of 5 stars.

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