Wolf Worm by T. Kingfisher is a 277 page standalone novel published March 24, 2026 by Tor Nightfire.
Genre:
Horror
Description:
Something darker than the devil stalks the North Carolina woods in Wolf Worm, a new gothic masterpiece from New York Times bestselling author T. Kingfisher.
The year is 1899 and Sonia Wilson is a scientific illustrator without work, prospects, or hope. When the reclusive Dr. Halder offers her a position illustrating his vast collection of insects, Sonia jumps at the chance to move to his North Carolina manor house and put her talents to use. But soon enough she finds that there are darker things at work than the Carolina woods. What happened to her predecessor, Halder’s wife? Why are animals acting so strangely, and what is behind the peculiar local whispers about “blood thiefs?”
With the aid of the housekeeper and a local healer, Sonia discovers that Halder’s entomological studies have taken him down a dark road full of parasitic maggots that burrow into human flesh, and that his monstrous experiments may grow to encompass his newest illustrator as well.
Opening Line:
The rail station was very new, the paint still bright on the lettering that read SILER STATION.
My Thoughts:
She’s done it again, folks!
This book combines two of my very favorite things to read: T. Kingfisher’s writing and parasite horror (especially of the Gothic variety).
This story is full of creepy crawlies that will make your skin shiver, but also the author’s signature strain of human warmth. Sonia Wilson is a thirty year old spinster at the turn of the nineteenth century when she takes on a job as the illustrator for a naturalist’s book cataloguing parasitic insects and their life stages. She lodges at his home in North Carolina, befriends his small staff, and enjoys walking in the woods when not using his library of specimens to make her watercolor renderings. But some of the woodland creatures, sporting botfly larvae warbles, are acting strange. Why does no one want to talk about the illustrator who came before her? And why is the padlock on the shed she stumbles across in the forest on the outside, as if to keep something in rather than out?
In the acknowledgments, Kingfisher explains she used to live near a population of squirrels that were infested with botflies, and the idea for this novel was born when she thought, “Huh. What would happen if one of those latched onto [redacted]?” And reader, the resulting story did not disappoint!
You’ll need a fairly strong stomach (or barf bucket on hand) to read this book, but I cannot recommend it enough. All the wriggling, necrophagic stars for this one!
Homebound by Portia Elan is a 304 page novel being published by Scribner on May 5, 2026.
Genre
Science Fiction, Cli-Fi
Blurb
Five interlocking lives. One beloved story. A dazzling adventure across centuries and continents in search of the things that hold us together.
It’s 1983 and Becks can’t wait to get the hell out of Cincinnati. She’s nineteen, blasting her Walkman, and hiding from the fact that her beloved uncle, the only person who understood her, is dead. But she has work to do: he left her a half-finished game to complete—one last collaboration to find her way out of loneliness.
Little does she know, what Becks is making will echo far into the future and shape the lives of a scientist, a sentient automaton, and a flinty sea captain in ways she cannot imagine. All are bound together by their search for connection—and by a futuristic traveler on a mysterious mission through space.
A novel about our deep interconnectedness, Homebound is a clear-eyed, hopeful adventure into humanity’s future and capacity for love.
Opening Line
I love the way a computer program doesn’t just describe something; it is the thing.
My Thoughts
A young woman grieving the death of her uncle in the 1980s takes up the mantle of completing the video game he left unfinished. 600 years in the future, their joint creation is still impacting lives.
This book felt like a cross between Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin with I Cheerfully Refuse by Leif Enger (and maybe just a tad of Service Model by Adrian Tchaikovzky). It’s got video game development, androids, and a bleak future on Earth after climate crises. I appreciated the themes of loneliness versus connection and the power of stories. But I felt similarly about this book as I did those others: there were things I quite liked about all of them, but taken as a whole just weren’t a home run for this reader. I’m not sure if it’s because I failed to feel much of a connection with the characters, or if it was the format that didn’t work for me (two timelines, a gameplay log, and emails). But I do think there will be readers who it’s a perfect fit for, and I think especially anyone who enjoyed the other books mentioned above should consider picking this one up.
Thank you to Scribner and NetGalley for the eARC in exchange for my unbiased review.
How to Be Okay When Nothing is Okay by Jenny Lawson is a 288 page book published by Penguin Life in March of 2026.
Genre:
Nonfiction, Self-Help, Humor
Description:
Warm, insightful, and witty, the first book of advice from New York Times bestselling author Jenny Lawson—aka the Bloggess
Jenny Lawson is full of contradictions. She’s a celebrated author but battles self-doubt, paralysis, and anxiety. She’s an award-winning humorist but struggles with treatment-resistant depression. The questions people most often ask her are, “How do you do it? How do you keep going even when it feels impossible? How do you keep creating?” This book is her answer.
In How to Be Okay When Nothing Is Okay, Jenny shares more than one hundred humorous, heartfelt, and genuine tools and tricks that she relies on to keep her going even when her brain isn’t working properly due to depression, anxiety, and ADHD. She also offers tips to stay passionate and focused on creative endeavors, especially when everything around you is saying to give up.
With chapters like “Wash Your Brain More Than You Wash Your Bra” (sleep, you beautiful human), “Working on Easy Mode Is Still Working” (asking for accommodations is okay!), “Celebrate Good Times, Come On!” (make it a habit to celebrate the good things), and many more, How to Be Okay When Nothing Is Okay is a balm and companion, reminding us all that we are not alone. It’s for anyone who struggles with self-doubt, guilt, motivation, and mental blocks and wants to rekindle their passion for creating. Funny, simple, empathetic, and full of hope, it will encourage you not to just survive but to find and curate joy in the face of difficult times.
My Thoughts:
While I have enjoyed Lawson’s other works (memoirs and coloring book) more, this collection of essays with actionable tips will be a wonderful resource to flip open during a bout of anxiety/depression/self-doubt/etc. It features her trademark humor sprinkled throughout discussions of serious topics. Oh, and her drawings, too!
I preordered my copy of this book from Nowhere Bookshop, the independent bookstore in San Antonio, Texas owned by the author herself. My version came signed with a page of silly stickers. Also a cutout of the delightfully absurd figure on the book’s cover, who is not quite the right shape to use as a bookmark, but who I employed in that way anyway since he brought me joy. I highlighted several lines and passages throughout the book—those that spoke to my own personal experiences, the ones with tips I think my children might possibly be able to make use of, and the ones that made me laugh.
If you have ever struggled with your mental wellbeing (probably everyone) and you like to laugh (hopefully most people), then you definitely need to check out Lawson’s work, even her social media pages. She is, as author John Scalzi says in his blurb for this book, an actual national treasure!
How to Cheat Your Own Death by Kristen Perrin is the third book in the Castle Knoll Files series of murder mysteries. It’s a 336 page novel to be published by Dutton on April 28, 2026.
Genre
Mystery
Description
From the gritty streets of 1960s Soho to the lofty galleries of present-day West London, two interlocking mysteries decades apart unfold in this latest instalment in the award-winning, New York Times bestselling Castle Knoll Murder Mystery series
Some secrets are deadlier than others
1968: Frances Adams is loving her new London life, and she’s stepped into a world of glamour thanks to her new friend, Vera Huntington–a magnetic socialite as mysterious as she is provocative. Vera dances around London like she owns it, taking Frances with her.
Present day: When Annie Adams heads to London to visit her famous artist mother, Laura, the last thing she expects to find is a dead body. Least of all for it to be Laura’s new protégée, left in an alley with her heart surgically removed from her chest.
Annie is no stranger to murder–after all, she’s solved a few already. And something about this case feels familiar. She’s read about one just like it in the journals of her late great aunt Frances, whose friend Vera was killed in the 1960s in the exact same way.
As Annie investigates, threats pile up on Laura’s doorstep, and it soon becomes clear that she’s next. With her mother’s life on the line, can Annie find the killer before it’s too late?
Opening Line
The neon lights of Soho bounced off the autumn puddles, their reflections half interrupted by the steady droplets of freezing rain.
My Thoughts
I think this was my favorite entry in the Castle Knoll Files so far!
Or, possibly, I now just have a greater appreciation for skilled writing and plots not riddled with holes when it comes to my reading of mysteries.
Either way, How to Cheat Your Own Death, book three in the series, is an engaging murder mystery that once again alternates between Annie Adams investigating with Rowan Crane in current times and the journal entries of her Great Aunt Frances that are tied to the case in some way. This one takes place in London, where Annie’s famous artist mother has welcomed her absent father back into their lives and has also taken on an apprentice in an uncharacteristic move. Laura Adams begins receiving threats in the form of animal hearts left on her doorstep, and then someone turns up murdered and dumped in her trash receptacle. As Annie and Crane work to figure out what happened, they also puzzle through what it might have to do with Frances’s history with a wealthy family in the 1960s, a murdered socialite, and a local art gallery.
I was intrigued with the threads of story around the paintings and Frances’s time as a university psychology student. There are some fascinating characters here, as well as some truly awful ones. There is also some movement on the romance front in this installment.
This book kept me up late to continue plowing through its pages to learn the truth. I will happily read any more that follow in the series!
My gratitude to Dutton and NetGalley for the eARC in exchange for my honest review.
Yesteryear by Caro Claire Burke is a standalone debut novel published by Knopf on April 7, 2026.
Blurb:
A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel.
My name was Natalie Heller Mills, and I was perfect at being alive.
Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it.
Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.
A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.
Opening Line:
This is the last day of the life I imagined for myself.
My Thoughts:
America hates angry women. The Lord hates angry women. You hate angry women. Do not be an angry woman.
Except I am angry. I am very, very angry.
How to categorize this book? I wouldn’t say it fits neatly into any one genre, but I think the closest would be literary thriller. I found it exceedingly interesting, in a very angst-ridden and kind of icky way. I was super engaged and tore through it at a good clip, but goodness are these characters hateful!
[People like her] couldn’t possess a truly principled stance even if someone injected it straight into their faces.
Natalie Heller Mills has the perfect life for a traditional Christian woman – or at least, on Instagram she does. Her carefully curated social media presence shows a devoted wife and mother of five (with a sixth on the way), living on a farm in Idaho and eschewing many aspects of modernity in the name of providing her family with a healthy, all natural and organic lifestyle. Behind the scenes, she in fact has two nannies taking care of the kids, migrant workers running the farm, pesticides and modern appliances hidden from the camera, and a troubled marriage.
That was what they taught you in the forums: to be suspicious of everything. I’d watched [him] grow suspicious of schools, and then of the skies, and then of the world–and now, I realized with surprise, he was becoming suspicious of me.
Then one morning, Natalie wakes up in a home that looks similar to but different from her house, with a family that looks similar to but different from her own. There is no evidence of modernity whatsoever, her husband is the manly head of the household she had given up on him ever being, and they are living what seems to be the actual lives of early nineteenth century pioneers on America’s Western front. Is this a test from God? Is it some new reality show pushing the boundaries? Has she really been transported in time to live the kind of life she had falsely been claiming to live for all of her online followers?
The story is told with alternating timelines, when things are coming to a head in Natalie’s world of Instagram fame, and when she finds herself lost in what seems to be an entirely different world. Pretty much every adult character in this book is terrible, just the worst! But this allows the story to reflect on some key issues in today’s world, making for a lot of compelling social commentary.
Liars. Every Christian woman I ever met had been a big fat lying bastard. Lord have mercy on their big fat lying bastard souls.
I was all in for learning more about Natalie’s story and understanding what was really going on behind the scenes of her life, but for readers who require likeable characters to root for, be forewarned that you won’t find any here! Between all the people being horrible to one another and the fact that the final reveal felt a bit silly to me, I’m calling this a 4.5 star read for me. As long as you don’t count yourself among the group of readers mentioned above, I do recommend picking this very compulsive book up. And the Letter to the Reader included in the beginning explains that a movie adaption produced by and starring Anne Hathaway is already in the works, so stay tuned for that!
Thank you to NetGalley and Knopf for the eARC in exchange for my honest review!
Mad Science: Bits and Pieces, edited by Dave Freer, is a 251 page anthology of science fiction short stories published March 11, 2026 by Raconteur Press.
My Thoughts:
This is a collection of short stories submitted by authors prompted to write something that fits the theme “Mad Science: Bits and Pieces”, however they chose to interpret that.
This was a well done batch of stories! Featuring a range of experiments from genetically engineered and neurally modified animals to cobbled-together inventions that don’t work as expected, these were fun science fiction vignettes. The stakes are quite high in most of them, and several utilize elements of humor in the telling. Personal favorites include UNCLE EUAN: SOME ASSEMBLY REQUIRED by Malory, SONG OF THE SEA BEAST by Bret Nelson, and PAST AND PRESENT by Nate Stone.
Overall the writing is decent, the illustrations add a factor of interest, and the faux advertisements sprinkled throughout are delightful. Well done, everyone!
Thank you to Raconteur Press for the eBook in exchange for my unbiased review.
Seasons of Glass & Iron: Stories by Amal El-Mohtar is 208 page collection of short stories and poems published by Tordotcom in 2026.
Genre:
Fantasy
Blurb:
Full of glimpses into gleaming worlds and fairy tales with teeth, Seasons of Glass and Iron is a collection of acclaimed and awarded work from Amal El-Mohtar.
With confidence and style, El-Mohtar guides us through exquisitely told and sharply observed tales about life as it is, was, and could be. Like miscellany from other worlds, these stories are told in letters, diary entries, reference materials, folktales, and lyrical prose.
Full of Nebula, Locus, World Fantasy, and Hugo Award-winning and nominated stories, Seasons of Glass and Iron includes “Seasons of Glass and Iron,” “The Green Book,” “Madeleine,” “The Lonely Sea in the Sky,” “And Their Lips Rang with the Sun,” “The Truth About Owls,” “A Hollow Play,” “Anabasis,” “To Follow the Waves,” “John Hollowback and the Witch,” “Florilegia, or, Some Lies About Flowers,” “Pockets,” and more.
My Thoughts:
When I read Amal El-Mohtar’s The River has Roots I thought it was fine, but I actually enjoyed the short story from this collection featured at the end, John Hollowback and the Witch, more. I was excited to check out the rest.
This book contains fourteen short stories plus four poems. Full disclosure–I am not much of a poetry person, and I skipped those entries. Sorry, sorry!
But most of the short stories were a success for this reader (favorites include The Green Book, Madeleine, and, of course, John and the Hollowback Witch). The author is very skilled with a pen/keyboard, and so even the few tales that didn’t really hit with me were still not a hardship to read. As El-Mohtar explains in the Introduction, several of these pieces were commissioned for specific projects with a core thematic or demographic concern (witches, steampunk, fairytales; Arab, women, queer). All of the stories have a fantasy element to them, and recurring themes include birds, flowers, gemstones, female friendship (sometimes more), and women fighting back against the patriarchy.
Short stories don’t often resonate with me as well as novels do, but there was still much to enjoy in this lyrical, otherworldly, analytic work.
My thanks to NetGalley and Tordotcom for the eARC in exchange for my unbiased review.
Wayward Souls by Susan J. Morris is the second book in the Harker & Moriarty series, with a publish date by Inky Phoenix Press of Bindery Books of March 17, 2026.
Genre:
Historical Fantasy, Paranormal Mystery
Blurb:
The delightfully dark sequel to the gothic supernatural mystery Strange Beasts.
Six days before Samhain—the night when the veil between worlds is thinnest—Samantha Harker, daughter of Dracula’s killer, and Dr. Helena Moriarty, daughter of the famed criminal mastermind, are thrown into their next the mysterious disappearance of two Society field agents in Ireland. Only this time, the Royal Society is sending Jakob Van Helsing to keep an eye on them.
Sam and Hel may have solved the Paris case, but that doesn’t mean the Society trusts them. Sam has the power to slip into the minds of monsters, and Van Helsing has sworn to kill her at the first sign of corruption. And if Hel can’t prove her father’s existence, she’ll soon go down for his crimes.
Their investigation takes them from the crumbling ruins of Ireland’s untamed wilds to the occult societies of the rich and powerful. The connection between the Sam and Hel is electric, but as they fall deeper into each other’s orbit, their secrets only multiply. For Hel, it’s the sins she committed when she was her father’s pawn. For Sam, it’s a plague of death omens, mysterious black feathers, and a siren song no one else can hear. And then comes a chilling revelation that is poised to shatter The agents who disappeared were each haunted by a ghost. And so, it seems, is Sam.
With characters drawn from the worlds of Dracula and Sherlock Holmes, Wayward Souls is a twisty puzzle box of a historical fantasy—perfect for fans of Genevieve Cogman, Theodora Goss, Freya Marske, T. Kingfisher, and Gail Carriger.
Opening Line:
Samantha Harker folded her hands on the scarred mahogany table, grateful her emerald-green riding habit would disguise any hint of sweat.
My Thoughts:
Sam and Hel (the daughters of Jonathan and Mina Harker from Dracula and Professor Moriarty, the nemesis of Sherlock Holmes, respectively) are off on another adventure in this sequel to Strange Beasts. This time London’s Royal Society for the Study of Abnormal Phenomena have sent them to Ireland with Jakob Van Helsing accompanying to keep an eye on things, as they don’t quite trust Hel’s loyalties or Sam’s abilities.
Like its predecessor, the vibes in this book are perfectly on point! Steeped in the darker aspects of Celtic mythology and folklore, this story was perfect for my spooky season reading (but with the Irish setting being such a large part of the story, St. Patty’s Day would be a fine time to pick it up as well!) People in Ireland are disappearing in ways that smack of the supernatural and it’s up to our team of field agents to figure out who or what is behind it all, preferably before the night of Samhain, when the veil between worlds is thinnest and dangers from the Otherworld are at their peak.
A theme of this installment is that no one is only one thing – all good or all bad. Characters who were midlevel villains of the last book have the opportunity here to show that they have another side. Our heroines have to learn to allow themselves as much grace as they do the monsters they confront in their line of work, who are sometimes made the way they are by monstrous acts committed against them.
I hadn’t recalled from the first book that the story is all told with third person POV through Sam’s perspective, so readers can only really get an idea of Hel and Van Helsing’s thoughts and feelings through their interactions with her. I do think a reread of that one would have been beneficial, as I couldn’t recall much about the situation with Sam’s grandfather, which comes into play as a fairly major plot thread here.
One complaint I have with this book is the same one I had for the first in the series – I couldn’t always follow the characters’ reasoning when they came to conclusions about things in their investigation. The answers and explanations here were a bit convoluted, with a lot going on. I kind of had to just enjoy the ride and accept the characters’ determinations without fully appreciating how they arrived at them.
Still, this was overall a fun story and perfect fit for my October reading, and I am grateful to NetGalley, Bindery Books, and Inky Phoenix Press for the eARC in exchange for my unbiased review.
An obsession with a beautiful serial killer entangles a vampire hunter’s daughter in an immortal sapphic romance in this enthralling gothic fantasy from the #1 New York Times bestselling author of Lucy Undying.
Anneke has a complicated relationship with her father, Abraham Van Helsing—doctor, scientist, and madman devoted to studying vampires—up until the night she comes home to find him murdered, with a surreally beautiful woman looming over his body. A woman who leaves no trace behind, other than the dreams and nightmares that plague Anneke every night.
Spurred by her desire for vengeance and armed with the latest in forensic and investigatory techniques, Anneke puts together a team of detectives to catch her mysterious serial killer. Because her father isn’t the only inexplicably dead body. There’s a trail of victims across Europe and Anneke is certain they’re all connected.
But during the years spent relentlessly hunting the killer, Anneke keeps some crucial evidence to infuriatingly coy letters, addressed only to Anneke, occasionally soaked in blood, and always signed Diavola. Devil. The obsession is mutual, and all the more dangerous for it.
The closer Anneke gets to her devil, though, the less sense the world makes. Maybe her father wasn’t a madman, after all. Diavola might be something much worse than a serial killer . . . and much harder to destroy. Because as Anneke unearths more of Diavola’s tragic past, she suspects there’s still a heart somewhere in that undead body.
A heart that beats for Anneke alone.
Opening Line:
As the crowd screams, all Henri thinks is that he’s going to be in so much trouble when his parents find out.
My Thoughts:
☠ Nineteenth century Europe ☠ Van Helsing’s daughter ☠ Murder investigations ☠ Found family ☠ Sapphic yearning ☠ Vampires!
It’s so easy to think yourself hunter only to discover you’ve always been prey.
In late nineteenth century Amsterdam, a young Anneke Van Helsing spies a creature of unnatural beauty standing over the prone and bleeding form of her father. The rest of the world believes Abraham Van Helsing took his own life, but Anneke knows better. She devotes the next several years of her life to training in forensic detective work. When a spree of bizarre deaths begin cropping up all over Europe, she alone makes the connection with her own father’s end. Finally she has caught scent of the mysterious woman, and the hunt she has long fixated on begins in earnest.
Have you been hunting me all this time? That makes me sad. He doesn’t deserve your devotion.
Our main character teams up with a lovely crew who together investigate the trail of bodies, becoming like family to one another as they devote themselves to Anneke’s search for her Diavola and vengeance for her father. Anneke spends just as much time pining for the beautiful woman she is pursuing across the continent as she does fantasizing about killing her. When Diavola begins sending her taunting letters, one wonders who is tracking whom? And as she learns more about her quarry, the question arises: have they been hunting the wrong monster all along?
“I thought I was doing the right thing,” he whispered. “Men always do.”
The setting in this book is quite fetching–canal houses in Amsterdam, cafes in Budapest, an abandoned village of the Greek islands, and finally to the Paris world’s fair, l’Exposition Universelle, for ultimate added flavor. Cinematographs, magnetic audio recorders, and the advent of the use of fingerprints in crime scene analysis further cement the reader in Anneke’s world.
The characters are easy to root for. Anneke is a competent (albeit obsessed) woman in a male-dominated field, and her companions, though we don’t dive too deep beneath the surface with them (the story is told almost entirely from Anneke’s first person POV), are quite likable. There is romance, but mostly consisting of yearning and with no explicit spicy scenes. On the other hand, LOTS of horrifying murder and corpse examination scenes (the deaths mostly relayed after the fact during the investigation phase rather than on the page).
There was a little while in the middle of this book when I wondered if it really needed to be as long as it is, but that isn’t to say the plot dragged for me at any point. In the end, I was most definitely satisfied with the story that had unfolded. Each of Kiersten White’s books that I read I enjoy even more than the one before, but I’m not sure how long that trend can continue as her work at this point is pretty fantastic! I am intrigued to see where she’ll go from here.
Thanks so much to NetGalley and Del Rey for the eARC in exchange for my unbiased review.
Jessica Crawford 