Book Review: POOR DEER by Claire Oshetsky

Margaret, alone in the woods, stops screaming. She has just learned that some things are forever, and other things are never-again.

When Margaret is four years old she and her friend Agnes are playing together when events lead to the other girl’s accidental death. Margaret hears adults using the term “poor dear” (to her ears, Poor Deer) a lot, and thus is born the haunting personification (er…deerification?) of a child’s guilt, fear, confusion, and shame.

This was a very sad story. It’s well written, and your heart just breaks for young Margaret. However, I didn’t care for the ending nearly as much as I did the rest of the book. I did like that Margaret was searching for atonement, but the way the author chose to offer her this chance just didn’t really appeal to me. Although I did like how Margaret recognized that she might work toward forgiving herself to heal from her past.

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Book Review: THE FETISHIST by Katherine Min

Wow, what a talented writer Katherine Min was! How lucky for us that her daughter, Kayla, put in the work to ensure her mother’s second novel got published posthumously.

This is actually a very grim story, filled with infidelity, suicide, abduction, attempted murder, and more. It revolves around the relationships that violinist and accused Asian fetishist Daniel Karmody has created (and destroyed) over the course of his life. There is revenge, but also repentance, and it does end on an overall hopeful note.

The author had that special kind of skill to write characters that so feel genuinely real, from the ailing concert cellist Alma to the angry punk rocker and anime artist Kyoko, and everyone in between. I liked the structure of the book, as well as the style chosen for the chapter names. And such a way she had with words!

One issue I have is the blurb calling this black comedy and referencing it’s brilliant humour—I think that might be misleading, as I don’t remember anything funny about it (outside of Daniel wearing the Snugli and other QVC acquisitions stored in his prison).

This was truly good literary fiction, and I am so glad to have had the opportunity to read it.

Thank you to NetGalley and G.P. Putnam’s Sons (and Kayla) for the opportunity to read this ARC.

2023 Reading Bracket

Here is my final 2023 reading bracket! (Hopefully I’m not jinxing it by posting it 3 days before the end of the year–I’m in the middle of reading a book that is fine but not a favorite, here’s to hoping I don’t finish it and then read something Earth shattering in the next 72 hours!)

I reconsidered and made a change since the last time I posted this bracket, but the final outcome would have been the same either way. I think this supports what I already knew: I love me some Gothic fantasy and science fiction, but not quite as much as I love some moving literary fiction!

Books included as some of my favorite reads of the year: “What Moves the Dead” by T. Kingfisher, “Trust” by Hernan Diaz, “Nettle & Bone” by T. Kingfisher, “The Mountain in the Sea” by Ray Nayler, “A House with Good Bones” by T. Kingfisher, “Emily Wilde’s Encyclopedia of Faeries” by Heather Fawcett (I actually read an ARC of the sequel and enjoyed it even more, but decided not to count it as a 2023 favorite since it won’t be published until after the new year), “A Face Like Glass” by Frances Hardinge, “Chlorine” by Jade Song, “Chain-Gang All-Stars” by Nana Kwame Adjei-Brenyah, “If We Were Villains” by M. L. Rio, “North Woods” by Daniel Mason, and “The Seventh Bride” by T. Kingfisher.

Wow, that’s a lot of T. Kingfisher!

But the top honor goes to “North Woods” 🎉💯❤️

What was your favorite book you read this year?

Book Review: THE COVENANT OF WATER by Abraham Verghese

THE COVENANT OF WATER by Abraham Verghese is literary historical fiction. It is a long book that is in no hurry to get where it’s going, but if you just sit back and relax, there’s much beauty to enjoy along the way. If you require your books to be plot-driven and action packed, look elsewhere. If you prefer your reads constructed around realistic characters and their loves, griefs, sacrifices and ambitions, then treat yourself to the family saga told through evocative writing here.

The story follows three generations of a family in India over the course of the twentieth century. The crux is that there seems to be an inherited condition in the family, and there is hope that someday someone will figure out what it is and how to treat it. Alternate sections of the book tell of a Scottish surgeon who joined the Indian Medical Service; his story and that of the afflicted family eventually come together, but not in the ways you might expect.

Verghese expertly summons forth a strong sense of place and time, and readers find themselves inserted into daily life for Saint Thomas Christians in the part of India that eventually became Kerala. Sociopolitical issues, such as India’s caste system, are addressed in a adroit manner.

Some readers are turned off by the book’s many graphic surgical scenes, though I personally found them of great interest–which is no surprise, since my husband has had to repeatedly ask me to stop sharing stories from my job at the hospital with him. Different strokes for different folks!

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Book Review: SHARK HEART: A LOVE STORY by Emily Habeck

”What…What are you doing?” she asked groggily. “Just seeing what it’s like to love you when I can’t see you.”

Shark Heart by Emily Habeck is a bittersweet story about life and love.

The world in this book is identical to our own except for one key difference: some people develop a disease that causes them to mutate into a different species. When married couple Wren and Lewis learn that the latter is transforming into a shark, it’s analogous to learning one’s partner has a terminal illness. Or when a relationship undergoes anything unexpected that completely changes how things were “supposed” to be.

Wren is practical, Lewis is a dreamer. When they exchange their wedding vows, they could have never imagined how different their lives would look after only a year of marriage.

In their innocence, they failed to grasp the labor of losing a partner, how the tasks of simple existence would become logistical feats and one person’s burden.

This is a character-driven literary novel told in parts (three, I think), with some “chapters” being only a sentence or two long. In addition to the story of Wren and Lewis, the middle section tells about Wren’s mother, Angela, getting pregnant as a teenager and then trying her best to parent after receiving a life-changing diagnosis of her own. The book is chock full of love and grief, and learning to love with both. It is lovely and sad, although it does end on a hopeful note.

Wren no longer sees life as a long, linear ladder with a beginning, middle, and end. Instead, she considers how life is like a spiraling trail up a mountain. Each circling lap represents a learning cycle, the same lesson at a slightly higher elevation. Wren realizes she likes to rest as much as she likes to climb. She begins to enjoy the view.

Book Review: HOMECOMING by Kate Morton

“Homecoming” by Kate Morton is literary fiction featuring dual timelines, with a touch of mystery and a dash of family saga.

“Home is where the heart is, and the heart can be a dark and damaged place.”

In 1959, a family in Australia is found dead under suspicious circumstances, the youngest child missing. In 2018 a woman is just learning about this family history that her grandmother wanted to keep secret from her. Not everything was answered satisfactorily back then, but can she put all the pieces together now?

“There was no clear corollary between the two, and yet the first and firmest human addiction is to narrative. People seek always to identify cause and effect and then arrive at meaning…”

The overall story was pretty good (the mystery, the family tensions, the relationships), but honestly the choice to present much of the earlier timeline as a true crime book being read by characters within the story made for some boring reading. It wasn’t until around page 400 that things became more engaging.

“There was a truth observed by all good preachers, leaders, and salesmen: tell a good story, tell it in simple language, tell it often. That’s how beliefs and memories were formed. It was how people defined themselves, in a reliance upon the stories about themselves that they were told by others.”

Decent story, good prose, presentation was a swing and a miss (for this reader, at least)

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Book Review: SEA CHANGE by Gina Chung

I’m trying my hand at book annotation! Pictured is Sea Change by Gina Chung (with a sleeping German shepherd for scale)

Sea Change is literary fiction about Ro, the thirty year old daughter of Korean immigrants. A history of loss has shaped her into a rather dysfunctional adult. Her marine biologist father disappeared on a research trip while she was a teen, she and her BFF are at odds, and her boyfriend left her (and the planet) on a mission to colonize Mars. Now Dolores, the giant Pacific octopus at the aquarium where she is employed, and one of her last remaining links to her father, is being sold. Ro deals with all of her loneliness and fears that anything good is only going to be taken from her by neglecting everything in her life except for her quest to stop feeling anything at all (with the help of a drink or two, or ten).

This is the story of Ro discovering that if she wants to escape the rut she is stuck in, she’ll need to learn to appreciate the things she does have without constantly tiptoeing around the possibility of losing them. I may have teared up during a scene about saying goodbye to the octopus…

Book Review: REMARKABLY BRIGHT CREATURES by Shelby Van Pelt

Remarkably Bright Creatures by Shelby Van Pelt is heartwarming literary fiction about the relationships that sustain us throughout the course of life.

POV alternates among three characters:

  1. 👵 Tova Sullivan, an elderly widowed Swedish immigrant whose son drowned in the sea under mysterious circumstances when he was 18 years old, and who works cleaning at the Sowell Bay Aquarium because she feels the need to keep busy even if she doesn’t need the money
  2. 🤷‍♂️ Cameron Cassmore, a highly intelligent yet deadbeat 30 year old whose search for a means to pull himself up out of the rut of his life leads him to Sowell Bay, Washington

and

  1. 🐙Marcellus, a(n even more?) highly intelligent Giant Pacific Octopus who resents being captive at the aquarium and who just can’t even with humans anymore

The relationships that develop among these characters are quite touching. Family and growing old are themes throughout the book.

The parents will grow old atop this mountain of a family they’ve built, and even if parts of it crumble from time to time, there will be enough left to support them.

The characters that comprise the Knit-Wits, the groups of septuagenarians who get together for regularly scheduled lunches, were each so realistic—I could picture people from my real life who matched each of them almost to a T.

Overall this is a sad but ultimately heartwarming tale, and it gets bonus points for naming a secondary octopus Pippa the Grippa!

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Book Review: THE IMMORTALISTS by Chloe Benjamin

“The impossibility of moving beyond loss, faced against the likelihood you will: it’s as absurd, as seemingly miraculous, as survival always is.”

This book was near perfection.

In New York City in 1969, four siblings visit a mysterious woman who tells them the dates they will die. The rest of the book shows us how each of them chooses to live their lives in light of what they were told.

Was it just a scam? Could it be true? What if the dates of their deaths have been altered by the knowledge itself?

“Varya has had enough therapy to know she’s telling herself stories. She knows her faith-that rituals have power, that thoughts can change outcomes or ward off misfortune-is a magic trick: fiction, perhaps, but necessary for survival. And yet, and yet: Is it a story if you believe it?”

Loss is a big theme in this book, as well as the indomitable ties of family, and the difference between living and merely surviving. It’s not exactly an uplifting story, but it is often pure magic in the telling. We’re transported to San Francisco in the 1970s, where many people first felt it was okay to be gay; to magic shows that don’t aim only to create illusions, but to reveal truth; to labs where primates are used for research on aging; to family gatherings both joyous and fraught with tension, and more.

I adored so many of these characters. Simon and Klara’s parts of the book were my favorites, but Daniel and Varya’s were wonderful in their own ways. Raj and Ruby are lovely, too, and of course we can’t forget Gertie (“After everything I gave you: education, opportunity-modernity! How could you turn out like me?”)

It is worth it to note that, other than the possibility of the fantastical in a woman who may be able to see when you will die, this book is largely literary fiction, with its focus on family dynamics and loss.

Some lines remind me of the exact thoughts I had when my own sister passed away.

“She’d lost both him and herself, the person she was in relation to him. She had lost time, too, whole chunks of life that only [he] had witnessed…”

But the story does bring us ultimately to the fringes where grief meets healing.

“For so long, she stifled these memories. But now, when she calls them up in these sensory ways, so that they feel more like people than ghosts, something unexpected happens. Some of the lights inside her-the neighborhood that went dark years ago-turn on.”

I’ve included so many quotes in this review because the writing was just so exquisite and hard-hitting. I think I may now be an official Chloe Benjamin fan girl, and will make a point to read more of her work. And, because I can’t resist (and at risk of telling you nearly the whole darn story), I’ll end this review with yet more quotes from The Immortalistthat really spoke to me:

“His death did not point to the failure of the body. It pointed to the power of the human mind, an entirely different adversary-to the fact that thoughts have wings.”

 

“They began together: before any of them were people, they were eggs, four out of their mother’s millions. Astonishing, that they could diverge so dramatically in their temperaments, their fatal flaws-like strangers caught for seconds in the same elevator.”

 

“There were times he thought of his siblings and felt love sing from him like a shofar, rich with joy and agony and eternal recognition: those three made from the same star stuff as he, those he’d known from the beginning of the beginning. But when he was with them, the smallest infraction made him irreversibly resentful.”

 

“What will Klara tell her, with frantic and unheard insistence? To [her daughter], Klara’s past will seem like a story, Saul and Simon no more than her mother’s ghosts.”

 

“…Daniel couldn’t understand why they didn’t feel what he had: the regret of separation and bliss of being returned. He waited. After all, what could he say? Don’t drift too far. You’ll miss us. But as the years passed and they did not, he became wounded and despairing, then bitter.”

 

“[Her guilt] shrank…when she was hungry, which she so often was-there were times when she felt light enough to drift toward the sky, light enough to drift toward her siblings.”

 

“‘I was afraid,’ she says. ‘Of all the things that can go wrong when people are attached to each other.'”

In case you couldn’t tell, I really loved this book!