The Fox and the Devil by Kiersten White is a 368 page standalone novel from Del Rey with a publish date of March 10, 2026.
Genre/Subgenres:
Horror, Paranormal, Historical Fiction, Fantasy, Gothic
Blurb:
An obsession with a beautiful serial killer entangles a vampire hunter’s daughter in an immortal sapphic romance in this enthralling gothic fantasy from the #1 New York Times bestselling author of Lucy Undying.
Anneke has a complicated relationship with her father, Abraham Van Helsing—doctor, scientist, and madman devoted to studying vampires—up until the night she comes home to find him murdered, with a surreally beautiful woman looming over his body. A woman who leaves no trace behind, other than the dreams and nightmares that plague Anneke every night.
Spurred by her desire for vengeance and armed with the latest in forensic and investigatory techniques, Anneke puts together a team of detectives to catch her mysterious serial killer. Because her father isn’t the only inexplicably dead body. There’s a trail of victims across Europe and Anneke is certain they’re all connected.
But during the years spent relentlessly hunting the killer, Anneke keeps some crucial evidence to infuriatingly coy letters, addressed only to Anneke, occasionally soaked in blood, and always signed Diavola. Devil. The obsession is mutual, and all the more dangerous for it.
The closer Anneke gets to her devil, though, the less sense the world makes. Maybe her father wasn’t a madman, after all. Diavola might be something much worse than a serial killer . . . and much harder to destroy. Because as Anneke unearths more of Diavola’s tragic past, she suspects there’s still a heart somewhere in that undead body.
A heart that beats for Anneke alone.
Opening Line:
As the crowd screams, all Henri thinks is that he’s going to be in so much trouble when his parents find out.
My Thoughts:
☠ Nineteenth century Europe
☠ Van Helsing’s daughter
☠ Murder investigations
☠ Found family
☠ Sapphic yearning
☠ Vampires!
It’s so easy to think yourself hunter only to discover you’ve always been prey.
In late nineteenth century Amsterdam, a young Anneke Van Helsing spies a creature of unnatural beauty standing over the prone and bleeding form of her father. The rest of the world believes Abraham Van Helsing took his own life, but Anneke knows better. She devotes the next several years of her life to training in forensic detective work. When a spree of bizarre deaths begin cropping up all over Europe, she alone makes the connection with her own father’s end. Finally she has caught scent of the mysterious woman, and the hunt she has long fixated on begins in earnest.
Have you been hunting me all this time? That makes me sad. He doesn’t deserve your devotion.
Our main character teams up with a lovely crew who together investigate the trail of bodies, becoming like family to one another as they devote themselves to Anneke’s search for her Diavola and vengeance for her father. Anneke spends just as much time pining for the beautiful woman she is pursuing across the continent as she does fantasizing about killing her. When Diavola begins sending her taunting letters, one wonders who is tracking whom? And as she learns more about her quarry, the question arises: have they been hunting the wrong monster all along?
“I thought I was doing the right thing,” he whispered. “Men always do.”
The setting in this book is quite fetching–canal houses in Amsterdam, cafes in Budapest, an abandoned village of the Greek islands, and finally to the Paris world’s fair, l’Exposition Universelle, for ultimate added flavor. Cinematographs, magnetic audio recorders, and the advent of the use of fingerprints in crime scene analysis further cement the reader in Anneke’s world.
The characters are easy to root for. Anneke is a competent (albeit obsessed) woman in a male-dominated field, and her companions, though we don’t dive too deep beneath the surface with them (the story is told almost entirely from Anneke’s first person POV), are quite likable. There is romance, but mostly consisting of yearning and with no explicit spicy scenes. On the other hand, LOTS of horrifying murder and corpse examination scenes (the deaths mostly relayed after the fact during the investigation phase rather than on the page).
There was a little while in the middle of this book when I wondered if it really needed to be as long as it is, but that isn’t to say the plot dragged for me at any point. In the end, I was most definitely satisfied with the story that had unfolded. Each of Kiersten White’s books that I read I enjoy even more than the one before, but I’m not sure how long that trend can continue as her work at this point is pretty fantastic! I am intrigued to see where she’ll go from here.
Thanks so much to NetGalley and Del Rey for the eARC in exchange for my unbiased review.
Jessica Crawford 