Those Fatal Flowers by Shannon Ives is a 384 page standalone novel from Dell of Ballantine Books with a publish date of January 21, 2025.
Genre/Subgenres:
Mythology Retelling, Historical Fiction, Romance
Opening Line:
The night before Ceres’ palace becomes a tomb, it’s halls are filled with music.
Synopsis:
Greco-Roman mythology and the mystery of the vanished Roanoke colony collide in this epic adventure filled with sapphic longing and female rage—a debut novel for fans of Madeline Miller, Jennifer Saint, and Natalie Haynes.Before, Scopuli.
It has been centuries since Thelia made the mistake that cost her the woman she loved. As the handmaidens charged with protecting Proserpina, the goddess of spring, Thelia and her sisters are banished to the island of Scopuli, cursed to live as sirens—winged half-woman, half-bird creatures. In luring men to their death, they hope to gain favor from the gods who could free them. But then ships stop coming and Thelia fears a fate worse than the underworld. Just as time begins to run out, a voice emerges, Proserpina’s voice; and what she asks of Thelia will spark a daring and dangerous quest for freedom.
Now, Roanoke.
Thelia can’t bear to reflect on her last moments in Scopuli, where she left behind her sisters. After weeks drifting at sea, Thelia’s renewed human body is close to death. Luckily, an unfamiliar island appears on the horizon—Roanoke. Posing as a princess arriving on a sailboat filled with riches, Thelia infiltrates the small English colony. It doesn’t take long for her to realize that this place is dangerous, especially for women. As she grows closer to a beautiful settler who mysteriously resembles her former love, Thelia formulates a plan to save her sisters and enact revenge on the violent men she’s come to hate. But is she willing to go back to Scopuli and face the decisions of her past? And will Proserpina forgive her for all that she’s done?Told in alternating timelines, Those Fatal Flowers is a powerful, passionate, and wildly cathartic love letter to femininity and the monstrous power within us all.
My Thoughts:
What happens when you mix a mystery from America’s history with mythology, feminist rage, and romance?
This book right here.
It presents an interesting case: what if sirens from Greco-Roman mythology were responsible for the disappearance of the inhabitants of the lost colony of Roanoke? The author explains that her aim with this story was to explore the effects of loss and guilt on the psyche while also examining structural violence. It does a fair job in this endeavor, while also including a sapphic love story.
Our main character is Thelia, one of three sisters who acted as handmaidens to Proserpina (Persephone), and who were transformed into winged creatures to assist in the search for their charge when she was abducted by Dis (Hades). When they fail to find and rescue the goddess, they are imprisoned on an island as punishment. There, they lure sailors with their singing. (This book alternately refers to them as harpies and sirens, but I think the singing and luring part indicates they were just sirens, not harpies?)
After centuries have gone by, Thelia learns there may be a way to lift the curse she and her sisters are under, but it requires the sacrifice of many treacherous men…something the English colony of Roanoke in the Americas has more then a few of.
I liked the unique premise of the story and the bits detailing the lives of Thelia and her sister sirens on the island of Scopuli, and the writing on the sentence level was good.
On the other hand, I questioned the reliability of the behavior and speech of the Puritans depicted here. The men and women of Raleigh drank an awful lot of alcohol in this book, and said things like, “Fun little secret for you, my lady” before revealing some bit of gossip. I’m no scholar of history, but these things didn’t seem right to me. And I just wasn’t much feeling the romance — it was a bit of instalove on Thelia’s side (although in part because the object of her affections apparently looks so much like her long lost love that for a time she is trying to determine if it might actually BE her); and also, when on a timed mission for redemption, shouldn’t a centuries old divinity be able to keep it in her skirts?
All the hate for anything male really bothered me, BUT this does get addressed later on in the book, as Thelia finally learns that “monsters are made, not born”.
So while this book wasn’t a home run for me, it was decent and presents some intriguing concepts. If I were allowed half or even quarter star ratings, I’d say this was a 3.25 or 3.5 read for me.
Thank you the NetGalley and Dell/Penguin Random House for the eARC in exchange for my honest review!








