Fantasy

Book Review: SHE’S A DOLL by Barbara Truelove

| Jessica Crawford

She’s a Doll by Barbara Truelove is a 313 page standalone novel coming September 8, 2026 from Ezeekat Press of Bindery Books.

Genre

Horror(ish), Humor(ous)

Description

Lucy isn’t a normal girl. Ghost. Victim. Killer. She’s a doll on a mission—to find the man who killed her and return the favor.

Lucy McQuinn has been murdered, but she’s not about to go quietly.

If she doesn’t get to keep breathing, then neither does Kyle, her killer. Possessing the body of an antique doll, she sets out on a quest for revenge. But it’s hard when you’re eighteen inches tall and made of porcelain.

For help, she turns to Nicola, a human and fellow outsider with her own reasons to hate Kyle. But in their small idyllic town, no one wants to hear the truth, especially not about such a promising young man. If they can’t expose his crimes, Lucy will have to roll up her lacy little sleeves and teach him a lesson the old-fashioned way—as slowly and painfully as possible.

From LA Times bestselling author Barbara Truelove, She’s a Doll is a ghoulish and gleeful tribute to the unstoppable power of female rage and a love letter to the friends who have our back—in this life and the next.

Opening Line

There are a lot of really profound, poetic people who have said a lot of really profound, poetic things about death.

My Thoughts

A wickedly funny wild ride that also hits you right in the feels.

When Lucy McQuinn is murdered, the last thing she lays her eyes on before everything goes dark is an antique doll sitting on a nearby shelf. So focused is she on this item that the moment her soul (or whatever you’d like to call it) leaves her body, she winds up transferring it right over–Lucy is now a vengeful spirit possessing a porcelain doll. And she’s out for blood!

Lu is a book nerd (favoring the classics), gamer (even if her console is three gens ago), and cosplay winner (second place, novice division) at the beginning of what doesn’t seem to be a very promising career when her mortal remains meet their end. Because a revenge killing while stuck in a doll’s body and still learning the ropes of being a ghost seems like a nigh impossible task, she’ll need an (embodied, living) ally. This is where the edgy Nic, whose hearing aid is able to pick up Lu’s projected thoughts, comes into play. Plenty of snarky banter between the two ensues.

…she bought a strawberry milkshake that smelled so sugary I wished I had a stomach so I could hurl. Have you considered eating real food?

“Have you considered that you’re still on thin ice, you porcelain piece of shit?” she said, exhausted and without venom.

What kept this from being a 5 star read for me is the fact that it did take me a good while to really get all in on the story (right around when Lu teams up with Nic is when I became engaged, and I think that’s over 25% in), and that some of it was a bit repetitive (any time the two of them disagree, for instance with the logistics of how to go about enacting revenge, they tend to make the same arguments to one another over and over again). But overall I wound up enjoying this dark, amusing, emotional story with wonderful representation quite a lot!

I actually think I miss spending my time with ride or die gals Lu and Nic already. Sadge.

My gratitude to NetGalley and Ezeekat Press of Bindery Books for the eARC in exchange for my honest review.

Bookshop.org

Book Review: BLACKTAIL by Scott Hawkins

| Jessica Crawford

Blacktail by Scott Hawkins is a 288 page standalone novel to be published on September 1st, 2026 by Crown Publishing.

Genre

Fantasy, Horror

Description

A wolf sets out on an epic journey of revenge in this one-of-a-kind dark fantasy—the long-awaited second novel from the author of The Library at Mount Char.

The wolf Blacktail is faithful to his Forest God, but in these times, faith is not enough. His world is besieged by men. Soon his territory will be overrun, and then there will be nowhere left to go. When his mate, a house dog, is killed, Blacktail rebels. He invades the house of her owners, seeking vengeance.

Blacktail’s fury catches the notice of an ancient and terrible feline witch, who makes an offer. What if Blacktail could end the human race responsible for the death of his family and for the destruction of the natural world, altogether? To do so, Blacktail must find and wake the Forest God. Only He might stand against the plague of men. Blacktail knows that his north woods are dwindling to nothing. He sees no other choice.

As Blacktail journeys farther from his wild home and deeper into the world of man, he encounters strangers—animal, mortal, and otherworldly—who, for their own reasons, want to help Blacktail rid the world of humans. Along the way, it becomes clear that he is more than just a wolf. The Forest God is sleeping, yes. But what will be the price of waking him?

Opening Line

Guile snapped to her feet at the sound of gunshots.

My Thoughts

The long-awaited second novel from the author of The Library at Mount Char (an all-time favorite of mine) is as brilliant as it is bloody and brutal.

From such a beginning, all things are possible.

This dark fantasy story, featuring only animals POVs, describes one (half)wolf’s epic journey into cosmic horror territory. In these pages, nature craves revenge against humankind for generations of cruelties and abuses that have left the world in an imbalance. The God of Reason may have granted humans dominion over the birds and beasts, but the gods of the natural world that predate Him surely have something to say about that. If only the most powerful among them, the Forest God, god of the hunt, hadn’t been slumbering and unseen for ages.

“When the god of men went forth to slaughter the gods of beasts, was this not a hunt? It is difficult to kill a thing when the very attempt is an act of worship toward it.”

Perhaps Blacktail might be the one to finally find and wake Him.

“But love died in this one long ago. Now all that’s left in him is judgment.”

This emotional and harrowing fable is so good, but also so hard to read. Readers be warned that it contains a whole heck of a lot of violence by and against animals. But if you can stomach that knowing that it’s not gratuitous here, know that those of you who remarked, “Good for her!” at the end of Stephen King’s Carrie will have a similar reaction to this vengeance tale.

“The secret,” she said, “is that there is no secret. Everyone suffers. Some choose to surrender, and some do not. The nature of your courage, the degree of it…these are entirely up to you.”

One criticism I have is that this story did take a while to really get going, but then things escalate REAL quick!

This was not an easy book to read due to the subject matter, but it was so worth it. I imagine I will find myself thinking about it for some time. Should Hawkins write more novels in the future, he has officially become an autobuy author for me!

Thank you to NetGalley and Crown Publishing for the eARC in exchange for my honest review.

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Book Review: PORTRAIT OF A WITCH UNDONE by K. S. Shay

| Jessica Crawford

Portrait of a Witch Undone by K.S. Shay is a 368 page debut novel being published by Erewhon Books, an imprint of Kensington Publishing Corp., on August 25, 2026.

Genre/Subgenres

Fantasy, Horror, Paranormal

Description

For fans of Starling House and A Discovery of Witches with a Thomas Crown Affair twist: a contemporary New England coven hides the mysteries that lurk in the marshes north of Boston—and how they are connected to the largest unsolved art heist in modern history.

Once, Maeve Ryan was the strongest witch of her generation. But Maeve messed up a spell to contact the Lady of the Fens, an eerie Revenant who lures the unwary to their deaths in the brackish marshlands of the North Shore. Maeve destroyed her reputation, hurt her best friend Ash, and tainted herself with unbound, wild magic that transforms witches into insane Revenants.

With unbound power eating away at Maeve’s mind, all she wants is to get rid of her magic. Forever. But Ash’s research into how the spell went awry leads in an unexpected direction: the Isabella Stewart Gardner Museum, and a link between the Lady and a decades-old art theft worth $500 million. When Ash disappears through a stolen painting’s empty frame, Maeve has to follow.

Inside is the Other Marsh, a haunting, deadly realm where only the Lady’s rules apply. Within this half-world lie secrets about North Shore’s history, Maeve’s failure, and the fate of the masterpieces that disappeared over three decades ago. But as Maeve fights toward the truth, she risks her friendship, her coven, and her life against enemies hiding in plain sight

Opening Line

Birds call from dying limbs, a harvest moon rises, and I take the commuter rail home to rob my grandmother.

My Thoughts

❧ A coven of witches
❧ A competent, obstinate, scrappy MC
❧ A spell that turns paintings into a prison
❧ A horrifying Revenant with a tragic backstory…plotting her escape
❧ The importance of positive relationships!

Let me begin with the latter portion of this book, which was really something else! I would actually call this a horror novel with an urban fantasy setting. The creepy veiled Lady of the marsh following our characters from painting to painting, plenty of violence via physical fights against enemies (both human and not), flocks of birds following the characters wherever they go—all very menacing! Some of the characters begin the story as friends, some as strangers, and some as rivals, but in a satisfying plot arc they are forced to accept one another as allies and fight the evil that plagues the North Shore coven of Massachusetts together. And then there is the joy of seeing characters who have struggled stubbornly finally take hold of their own power, on their own terms. Witches be GOATed!

They want to reduce me to a legend? Let them. I will be the worst fable they have ever written.

But I will say that at the start of this book, there were a few things I noted that seemed like they might be debut novel issues. Stylistically it initially read like a YA book even though its characters and themes are not, every character was first introduced by their race (bonus points for the inclusion of a nonbinary character, though), the pacing seemed a bit uneven, the rules about the magic system and the paintings involved in the spellwork were hard to follow, and a great part of the tension in the narrative relied on lack of communication between characters–a pet peeve of mine, although admittedly having a reason to withhold certain information is much preferable to the miscommunication trope.

Even if the execution wasn’t 100% a homerun for this reader, by the end I was “all in” anyway. Full of magic tied to the land, mystery, coven intrigue, desperation, the uncertainty of shifting of alliances, a tangential romance subplot, and monsters created though tragedy, this was an action-packed tale with a touching and very gratifying narrative arc—a powerful story!

“I mean, on a scale of one to an unbound, undead Puritan witch, how bad could family be?”

My thanks to Kensington Publishing and NetGalley for the eARC in exchange for my unbiased review.

Bookshop.org

Book Review: A TRADE OF BLOOD by Robert Jackson Bennett

| Jessica Crawford

A Trade of Blood by Robert Jackson Bennett is the third book in the Ana and Din Mysteries series, formerly known as the Shadow of the Leviathan series. It is 400 pages and was published by Del Rey in August of 2026.

Genre

Fantasy, Mystery

This post will discuss the series as a whole before focusing on the latest installment.

The Ana and Din Mysteries, featuring an investigative duo that have often been compared to Sherlock Holmes and John Watson, are first and foremost murder mysteries unfolding in a fantasy setting with some hefty worldbuilding. Each book’s plot follows these two unraveling the puzzle behind a grisly murder that often winds up with far-reaching political implications. Additionally, each addresses the nature of civilization and the question of whether people exist to serve their nation, or vice versa.

The Empire of Khanum is arranged like a succession of spoked wheels, with the the wealthiest citizens living in the center, the farthest from the outer ring’s sea walls. This is because every wet season, leviathans surface from the deep and try to breach the walls, destroying everything in their path. Branches of the military are dedicated to shoring up and defending the wall from the monstrous titans. Some people who serve the empire are given grafts or suffusions, altering their abilities in specific ways. Our main character, Din, is an engraver; he has been cerebrally altered to have a perfect eidetic memory of everything he sees and hears. He carries little vials of different scents with him to use as cues to associate with particular memories. With this ability, he acts as the eyes and ears of the exceedingly eccentric, and brilliant, Ana, the investigator to whom he is apprenticed.

Each entry in the series offers clever and twisty mysteries, the charming and hilarious relationship and banter between irreverent Ana and sincere Din, and lessons that go beyond magical mayhem to say something about the ills that come part and parcel with society.

And of course, the series has wonderful representation and inclusion.

If these things sounds like your jam and you haven’t yet picked up this series, what are you even doing?!

Now on to the specifics of Book 3, A Trade of Blood.

Description

Brilliant detective Ana Dolabra must prove a man’s innocence to stop a civil war in the third book of the series that began with The Tainted Cup, named an Edgar, Hugo, and World Fantasy Award Finalist and one of the best books of the year (New York Times Book Review, NPR, Elle)—from the bestselling author of The Founders Trilogy.

In the canton of Sapirdad, two of the Empire’s most powerful families are moments away from going to war with each other, their hundreds of retainers gathered with swords drawn. If blood is spilt, the whole of the empire may be plunged into starvation and chaos.

To de-escalate matters, someone must do the impossible: prove that one family’s eldest son is innocent of a gruesome and unforgivable murder, despite the incontrovertible evidence against him.

It is with this undertaking that the great detective Ana Dolabra is tasked, her assistant Din at her side—and the two find themselves racing with great speed and little dignity to the scene.

As ever, the impossible proves little obstacle for the deadly combination of Ana’s intellect and Din’s keen eye, and mere hours after riding into the dusty town, Ana glimpses the greater pattern behind the crime. A deeper, subtler web of death is being woven in plain sight, by a mastermind with an ancient magical technology at his disposal.

But even Ana’s uncanny insight is of little use when each new suspect she uncovers ends up dead–with each new killing calculated to bring tensions between the two rival clans past the boiling point. And as Din pursues their adversary through the canton’s wild ranges, sprawling ranches, and reeking slaughterhouses, he finds his loyalties divided in unexpected ways.

Opening Line

“It is an inarguable truth, you know,” said Ana, “that most people are absolutely enthralled by dead girls.”

My Thoughts

This is another interesting and complex murder mystery for Ana and Din to solve in the fantasy world of the Shadow of the Leviathan series that began with The Tainted Cup and continued with A Drop of Corruption.

Our beloved duo is sent to a new location in the third ring of the Empire to investigate what appears to be a clear cut murder between two gentry clans, although this time things seem a little too pat to be left unquestioned. And once again, the story furthermore touches on some philosophical topics and those regarding the ills of society and potential pitfalls inherent in great civilizations.

“How you’ve grown,” I said softly.
“Is dread the same as maturity?”
I filled my glass. “In the Empire, perhaps.”

I have to say, even though the murder mystery that serves as the impetus of this adventure was compelling, it’s the world-building that really hits for me here—specifically the lore surrounding the history of the Empire, its founders, and its pantheons. But the fact that this murder utilizes a feature that often seems to really work for me in my fiction (this part is discovered early in the investigation, not to mention shows up in the cover illustration, but fair warning for readers who like to avoid anything even a hint spoilery, I’m referring here to parasitic fungal horror) serves as an added bonus. This time we get to meet one of Din’s family members. And though the interactions between the eccentric and foul-mouthed Ana and her straightman assistant are perhaps growing a bit stale, they continue to offer some levity amidst murder and a dark lesson about so-called civilized people being all too willing to tolerate the suffering of those they deem inferior for the sake of maintaining their own creature comforts. I do feel bits of the mystery were a little easier to unravel on my own this time, and I wasn’t sure I felt Din needed another dalliance at this point in the series, but the latter at least was a nice opportunity to present this bit:

Though a voice had spoken within me—not my memories, merely my experience—whispering: These things never last.
To which I had responded: Nothing does.

In all, this was an engaging story that was further enhanced by the new things revealed about the Empire and its history, and I will be happy to see where the series takes readers next.

Thank you to Del Rey and NetGalley for the eARC in exchange for my honest review.

Goodreads

Book Review: THE DRAGON HAS SOME COMPLAINTS by John Wiswell

| Jessica Crawford

The Dragon Has Some Complaints by John Wiswell is a 400 page standalone novel to be published by DAW Books on July 14, 2026.

Genre

Fantasy

Description

In this heartfelt and humorous fantasy from the Nebula-winning author of Someone You Can Build a Nest In, a dragon whose three heads bear rather…different…personalities finds family in the most unexpected of places.

Garrodigh was once a four-headed dragon, among the most powerful in Kardoša. After an unfortunate incident, he now has three heads, one stump, and a daily whirlwind of internal bickering. Centerhead wants to rain death upon all humanity, Bottomhead is like a feral cat, and Upperhead is under the delicate delusion that he is, in fact, human. 

When a nearby battle goes awry, Garrodigh sneaks into an elite dragon rider academy, pretending to be tame to get free food and a warm bed. Lucky for him, rider Rania Albright is desperate enough for a dragon of her own that she overlooks his eccentricities. 

As Garrodigh recovers under Rania’s care, all three heads start to turn, for the first time, in the same direction. Each wants to protect her from the invaders who killed their fourth head—the same invaders who seek to conquer Kardoša. When the academy comes under attack, can this wild dragon and his wilder rider save their homeland together?

This cozy fantasy intertwines epic battles with loving friendships, sharing an utterly unique perspective on what it means to be a “monster.”

Opening Line

What the hell was in his mouth?

My Thoughts

Sometimes that feral weirdo is an inspiration.

The Dragon Has Some Complaints is a new gritty yet humorous and heartwarming adventure from John Wiswell, author of Someone You Can Build a Nest In.

The Great Terror Garrodigh is a three-headed dragon (RIP Lefty), injured and hiding in the wilds from the ravages of human warfare. Rejected by his own kind, he winds up posing as one of the dumb tamed dragons ridden and cared for by the people of the Winged City in order to be fed and sheltered, his ailments treated. After forging a special bond with his rider, the effusive Rania, he winds up helping these humans in their fight against invaders who would steal their home and their dragons.

Although I enjoyed Garrodigh and the different personalities of each of his heads, I found all of the human characters to be more irritating than anything. I wasn’t very engaged in the parts of the story involving weird sex and awkward romance, though it was all done in the name of promoting healthy relationship dynamics, finding ones place in the world, accepting all the parts of one’s identity, and forging therapeutic connections. The parts of the story relating to the dragon goddess Polarka, on the other hand, were absolutely awesome. The rest of the book leading up to that, however, felt too long.

There is some darkness to the adventurous action in this book, but there are also a whole lot of feel good sentiments and healing. For this reader, the details of the story made for a mixed bag, and in all I’d call it a 3.5 star read.

(Seriously, though, the climax part of the story was insanely epic!)

Thank you to NetGalley and DAW Books for the eARC in exchange for my unbiased review.

Book Review: AGNES AUBERT’S MYSTICAL CAT SHELTER

| Jessica Crawford
The above was originally an MP4 video file in which the cat at the bottom is animated and spins around. For some reason, none of the embed codes from Canva work for me in WordPress, so I uploaded it as a JPEG image instead. The result is what you see above–the back view of a cat facing away. I tried, fam! But honestly, I kind of dig this version, too.

Agnes Aubert’s Mystical Cat Shelter by Heather Fawcett is a 353 standalone novel published in February of 2026 by Del Rey.

Genre:

Cozy Fantasy

Blurb:

A woman who runs a cat rescue in 1920s Montreal turns to a grouchy but charming wizard to help save the shelter in this heartwarming cozy fantasy from the New York Times bestselling author of the Emily Wilde series.

Agnes Aubert leads a meticulously organized life—and she likes it that way. As the proudly type-A manager of a much-needed cat rescue charity, she has devoted her life to finding forever homes for lost cats.

But after she is forced to move the cat shelter, Agnes learns that her new landlord is using her charity as a front—for an internationally renowned and thoroughly disreputable magic shop. Owned by the disorganized—not to mention self-absorbed, irritating, but also decidedly handsome—Havelock Renard, magician and failed Dark Lord, the shop draws magical clientele from around the world, partly due to the quality of Havelock’s illicit goods as well as their curiosity about his shadowy past and rumors of his incredible powers. Agnes’s charity offers the perfect cover for illegal magics.

Agnes couldn’t care less about the shop—magical intrigue or not, there are cats to be rescued. But when an enemy from Havelock’s past surfaces, the magic shop—and more importantly, the cat shelter—are suddenly in jeopardy. To save the shelter, will Agnes have to set aside her social conscience and protect the man who once tried to bring about the apocalypse—and is now trying to steal her heart?

Opening Line

I paused on the threshold of the shop to stamp the frost from my boots.

My Thoughts

As a cat lover myself, this cozy fantasy about a cat rescue shelter hit all the right notes on that front. The author clearly knows the species and the varied personalities one is likely to find among its members, which is delightful.

That being said, the story built around this core is…fine. But honestly nothing all that mindblowing.

Agnes is Type A and dedicated to rescuing strays when she finds herself in a pinch and has to move her shop to the only location within her means, a suspiciously affordable front on the Rue des Hirondelles. She is initially alarmed to learn that her new landlord is none other than the infamous Dark Wizard Havelock Renard, who is using her business as a front for his illegal trade in magical Artefacts in the building’s basement. But not only is Agnes in no position to find another shop, she soon learns that the renowned master magician may just be more awkward and curmudgeonly than evil, and people may have gotten the completely wrong idea about what really happened when the world almost ended three years before. Now it turns out there is a truly wicked magician after Havelock, and Agnes and her cats may be in harm’s way.

It was nice, it was fine. But where this book really works well is in the cozy vibes brought by the cats and the pastries and the crackling fires in the hearth while frost coats the streets of 1920s Montreal. For these reasons alone I enjoyed my reading experience. If you’re looking for a story like that as a nice balm to the soul, give this one a try. But if you want epic storytelling, perhaps look elsewhere. I personally feel like the author’s Emily Wilde series did a better job at balancing the two.

Book Review: HEAVEN’S GRAVEYARD by Grace Curtis

| Jessica Crawford

Heaven’s Graveyard by Grace Curtis is a 368 page novel from DAW with a publish date of June 16, 2026. It ties in to the author’s previous novel Idolfire but can be read as a standalone.

Genre

Science Fantasy

Description

From the Sunday Times-bestselling author of Floating Hotel and Idolfire comes a science fantasy tale of history and myth, magic and mystery, perfect for fans of Shelley Parker-Chan and A. K. Larkwood

Two thousand years after the events of Idolfire, the world is on the brink of war, and the discovery of the enchanted city of Nivela threatens to push it over the brink

“What do you want to know?”

It’s been 2,000 years since the events of Idolfire, and we’re in a whole new Kite-drawn cargo ships race across thoroughly chartered seas, hauling the latest innovations in convenience and slaughter. It is developed, learned, interconnected, and on the brink of catastrophic war.

Archeologist Cod couldn’t care less about the conflict brewing between neighboring powers. She spends her days in happy obscurity, cataloging relics in the Republic of Asha and searching for clues about her lifelong obsession, the mythical hero Aleya Ana-Ulai. 

Then a letter arrives summoning her home. Cod’s old teacher has made the discovery of a lifetime. But her home is Palgaro, and the discovery—the ruins of the enchanted city of Nivela—is set to change the world. And not for the better…

Heaven’s Graveyard is a sinister lesbian history mystery bringing the magic of Idolfire into a dangerous new century.

Opening Line

Once, on a fine summer evening a long time before everything happened, when they were having something that was not quite a fight and not quite NOT a fight, Sparrow said to her, “That’s the real problem, Cod. By the time we met you’d already fallen in love with a myth.”

My Thoughts

Having studied anthropology myself, a book about an archaeologist working in museum studies is sure to grab my attention. Make it science fantasy, and I’m even more intrigued. The “sinister lesbian history mystery” part at that point is just bonus material!

Dr. Coda Canalully left the relative backwaters of Tessi for the vibrant city of Asha amid some unfortunate circumstances, never planning to look back. But when her mentor, history professor Denali Marr, sends her a telegram requesting she come see him about a “historic discovery”, her interest is piqued. The two of them have long shared a dream of proving that mythic heroine Aleya Ana-Ulai was a real person. But the day Cod arrives back her old university stomping grounds, it’s discovered that Marr has died under suspicious circumstances. What exactly had he discovered, and could there be those who don’t want it shared with the world?

She needed a thousand data points to shield herself from the one fact that mattered: Marr was dead. He’s died that morning. Seven years away from home and she’d missed him by a single day.

This book reminded me very much of the video game Heaven’s Vault in vibes. (Also, the main character in the game is named Aliya!) The game is “an archaeological sci-fi adventure that oozes a contemplative, mysterious, and grand vibe, combining ancient history with cosmic exploration”. This book leans more fantasy with a sprinkling of steampunk, and its adventures are rooted in one imagined world rather than across many (although there is mention of the possibility of visiting other planets some day). The discoveries in the game reveal a concept of repeating, fallen civilizations, and there is a hint of this cyclical nature in this book. It seems it actually references the events of another novel by this same author, Idolfire, which I have not read–otherwise I suspect these hints may have been more like pleasing little easter eggs in the story.

To be an archaeologist was to be a perpetual beggar-detective, sifting through miserly scraps preserved by the whim of time. And the scraps grew smaller the further back in time you looked. The vault of years between Cod and Aleya was as impassable as the space between life and death…

Anyway, the content and vibes of both book and game work well for me, and I enjoyed my time spent within these pages. Academics interested in connecting to the past suddenly faced with danger on top of the inherent mystery in their labors, the details of the legends out of time (the gods, effigy magic, etc), the worldbuilding insofar as the rivalry between the Alliance and Procumbent Church, the swashbuckling ex whose heart Cod broke years before, and the evolving relationship with an adversary–all made for a satisfying adventure. I will be keeping this author on my radar!

Content warning: there is one brutal scene of the killing of an animal, but if you feel like you might want to even just skim over that one part, there is nothing else like it again.

Thanks you to DAW and NetGalley for the eARC in exchange for my unbiased review.

Goodreads

Book Review: THIS KINGDOM WILL NOT KILL ME by Ilona Andrews

| Jessica Crawford

This Kingdom Will Not Kill Me by Ilona Andrews is a 480 page first novel in a planned trilogy, published by Tor Books in 2026.

Genre

Fantasy

Description

Outlander meets Game of Thrones in this blockbuster new epic fantasy series from the #1 New York Times bestselling author duo Ilona Andrews.

When Maggie wakes up cold, filthy, and naked in a gutter, it doesn’t take her long to recognize Kair Toren, a city she knows intimately from the pages of the famously unfinished dark fantasy series she’s been obsessively reading and re-reading while waiting years for the final novel.

Her only tools for navigating this gritty world of rival warlords, magic, and mayhem? Her encyclopedic knowledge of the plot, the setting, and the characters’ ambitions and fates. But while she quickly discovers she cannot be killed (though many will try!), the same cannot be said for the living, breathing characters she’s coming to love—a motley band that includes a former lady’s maid, a deadly assassin, various outrageous magical creatures, and a dangerously appealing soldier. Soon, instead of trying to get home, she finds herself enmeshed in the schemes—and attentions—of dueling princes, dukes, and villains, all while trying to save them and the kingdom of Rellas from the way she knows their stories will end: in a cataclysmic war.

Opening Line

Rain drenched the city, cold and relentless.

My Thoughts

The premise of this book was so fun!

Imagine if a fan of the A Song of Ice and Fire (Game of Thrones) series woke up one day IN the fantasy world of the books. Context makes it clear they are in the beginning of the first book, plotwise. They know the key players, they know the events that are to come, and they have the opportunity to try to alter the course of things. They could thwart the major villains and save their favorite characters from terrible fates!

This is what happens to Maggie, but in the world from her own favorite fantasy series. Throw in the fact that any time she dies in Rellas, she comes back to life. The author of her books never finished the series (another parallel to our example books…), and in fact he seems to have fallen off the face of the Earth. What in the world, real or fantasy, is going on here?!

Well, we won’t learn the answer to that question in this first installment, but this is a planned trilogy (hopefully to be completed one day!) On that note, though, be aware that this one does end in a way that will make you wish you had the next book already within your reach.

So this was a great story idea and I had a lot of fun reading it, but I also have to say that this is my first Ilona Andrews book and the writing, friends…well, it’s not great. It’s not terrible, but it’s not great.

One of my biggest gripes here is how they (wife and husband writing team) handle physical descriptions of characters. There are a lot of characters, and when each is first introduced, they are described in full detail in the following order: build, skin color, eye color, hair color, hair style, material and color of each and every visible item of clothing and accessory on their person. One scene featured three men entering a room, and the next four paragraphs are dedicated to listing these things off one by one for each of them. Since this happens ad nauseum, the descriptions themselves got a eyeroll-inducing as well. Three characters have sand colored skin (whichever sand that might be referring to), two with olive skin, one with dark tan skin, one with golden tan skin, one who was naturally pale but had acquired a permanent tan over the years (it doesn’t work that way), brown skin, dark brown skin, rich brown skin, russet skin, even and warm beige skin, beige skin with a peach undertone, and a deeper shade of beige skin with a cool undertone. Yikes.

Apparently Maggie pays very close attention to these details, because at one point she notes a person’s skin, hair, and eye color and immediately knows which character from the books it must be.

Other aspects of the story get infodumpy as well, as something crops up that Maggie already has full knowledge of from reading the story, and so the next few paragraphs will be an explanation of it all, like a character’s background and upbringing and the major events in their life that brought them to the point of their current attempts at political machinations, for example.

The details of the world itself also had me raising my eyebrows a bit, as it’s described as a pretty typical medieval fantasy setting, but has running faucets, lots of different types of paper, and Maggie mentions brushing her teeth (not rubbing them with powder). There’s also something weird about how they use the active voice that I can’t quite put my finger on.

To wrap up my (most major) complaints, it seemed like only one of two authors tried to interject humor in the form of referencing things like Homer Simpson backing into the bushes. Maybe it wasn’t just one of them, maybe they both added it as a reminder that our POV character is from our own modern world, but it only happened sparingly and so really stood out as not matching the overall vibe of the rest of the story. And also, I don’t think they did a great job with the romance in this book. It was very lackluster.

BUT, all that being said, nothing was egregious enough to prevent me from thoroughly enjoying the book! I do think it would benefit from some sort of character guide to reference while reading. I understand there are spoilery reasons why they can’t provide just a list of all characters, but at least something with the Great Families, their key members, and the family’s particular brand of magic would have been very helpful. This is a pretty hefty book, and by the end we saw characters brought up again one or two hundred pages after they were first introduced, and I had not recollection of who they were supposed to be.

Despite these complaints about the writing my final rating was only knocked down to 4.5 stars because I still had a ton of fun reading this story, and likely will read on in the series when the next book becomes available. Hopefully that won’t be too long of a wait!

Note: I started with the audiobook until I got my hands on the hardcover, and felt similarly about the narration as I did the writing technicals: not terrible, but not great either.

Book Review: THE CHILDREN by Melissa Albert

| Jessica Crawford
The Children by Melissa Albert is a 416 page standalone novel with a publish date of June 2, 2026

GENRE

Fantasy, Horror

DESCRIPTION

An intoxicating, haunting new novel from New York Times bestselling author Melissa Albert, in which the estranged adult children of a legendary author, written into their dead mother’s beloved fantasy series, contend with the vine-like creep of legacy, memory, and magic.

Guinevere Sharpe has two childhoods.

In one, she lives in the wooded shadow of her family’s isolated Vermont farmhouse; in the other, the pages of her mother’s world-famous Ninth City books, where her magical adventures have made her a household name. In reality, Guinevere’s childhood isn’t the enchanted idyll her mother’s readers imagine: she and her older brother are growing up near-feral, unwashed and underfed, escaping each day to the lichen-clotted woods they’ve made their playland. As Edith Sharpe’s books explode into epic popularity, the threats of a rural childhood give way to the escalating perils of fame—until the night it all goes up in flames, leaving Edith’s series unfinished and her children the sole survivors.

Now an adult coasting on her mother’s name, Guinevere is mid-promotion for a ghostwritten memoir when her estranged brother, an artist who has until now spurned his family’s legacy, announces an upcoming installation titled Mother. As rumors swirl around a death connected to his last show, unsettling recollections from Guinevere’s childhood begin to surface. Her public facade starts to crack, forcing her to confront the questions she’s spent the last twenty years running from: What really happened the night of the fire? And what dark history lies behind their mother’s creative genius?

Wise to the mythic weight childhood memories gather over time, The Children whispers to you from the hallway outside your bedroom, lights flickering as you turn the pages of a book that didn’t seem so scary a moment ago. It’s a story for anyone who’s ever revisited an old favorite and found it cast in a darker light, the line separating magic and memory blurring as the gap widens between the authors we imagined and the people they turn out to be.

OPENING LINE

Rain lashed the windows.

MY THOUGHTS

Wow, Melissa Albert really writes the most delicious dark fairytales!

This adult novel is fantasy with horror vibes. It alternates between two timelines, one of which is in the 1990s when Guin, her brother Ennis, and their parents lived at the Farmhouse in a rural area of Vermont. Their mother, Edith Sharpe, writes five books in a bestselling children’s fantasy series, using her own children’s names and likenesses as the main characters (without their consent, mind you). The home becomes a sort of bohemian commune where other artists of all stripes and talent levels show up and stay for indefinite lengths of time. Meanwhile, the children are left to their own devices (read as: neglected). There was supposed to be a sixth and final book in the Ninth City series, but a tragedy at the Farmhouse leaves the children orphans, and Edith never writes it.

The creeping dread just beneath the surface in this part of the story is masterful. Because there is something wrong with the Farmhouse. There are all the strange carvings, the poem etched into the wall, the stifling and uneasy room their mother writes in; and while none of the adults in their lives seem to pay the children much attention, it feels like they’re always being watched by…something.

The second timeline is current day, when adult Guin has taken on the mantle of mascot for the Ninth City series, and hasn’t spoken to her brother in years. Ennis has avoided and successfully evaded her ever since the night their parents died. But now it seems he is extending an invitation to Guin to come see his newest art instillation, titled Mother. Will it be a reunion or a reckoning? Will it reveal with any more clarity the events of the night of the fire?

Oh, this was such a fun read (as long as you appreciate talented writing giving you the heebie jeebies)! I confess I didn’t 100% understand all of the particulars revealed at the end, which was a bit unsatisfying, but the vibes were ON POINT and I am so excited to keep reading whatever Albert decides to write.

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