Book Review: WAYWARD SOULS (HARKER & MORIARTY #2) by Susan J. Morris

Wayward Souls by Susan J. Morris is the second book in the Harker & Moriarty series, with a publish date by Inky Phoenix Press of Bindery Books of March 17, 2026.

Genre:

Historical Fantasy, Paranormal Mystery

Blurb:

The delightfully dark sequel to the gothic supernatural mystery Strange Beasts.

Six days before Samhain—the night when the veil between worlds is thinnest—Samantha Harker, daughter of Dracula’s killer, and Dr. Helena Moriarty, daughter of the famed criminal mastermind, are thrown into their next the mysterious disappearance of two Society field agents in Ireland. Only this time, the Royal Society is sending Jakob Van Helsing to keep an eye on them.

Sam and Hel may have solved the Paris case, but that doesn’t mean the Society trusts them. Sam has the power to slip into the minds of monsters, and Van Helsing has sworn to kill her at the first sign of corruption. And if Hel can’t prove her father’s existence, she’ll soon go down for his crimes.

Their investigation takes them from the crumbling ruins of Ireland’s untamed wilds to the occult societies of the rich and powerful. The connection between the Sam and Hel is electric, but as they fall deeper into each other’s orbit, their secrets only multiply. For Hel, it’s the sins she committed when she was her father’s pawn. For Sam, it’s a plague of death omens, mysterious black feathers, and a siren song no one else can hear. And then comes a chilling revelation that is poised to shatter The agents who disappeared were each haunted by a ghost. And so, it seems, is Sam.

With characters drawn from the worlds of Dracula and Sherlock Holmes, Wayward Souls is a twisty puzzle box of a historical fantasy—perfect for fans of Genevieve Cogman, Theodora Goss, Freya Marske, T. Kingfisher, and Gail Carriger.

Opening Line:

Samantha Harker folded her hands on the scarred mahogany table, grateful her emerald-green riding habit would disguise any hint of sweat.

My Thoughts:

Sam and Hel (the daughters of Jonathan and Mina Harker from Dracula and Professor Moriarty, the nemesis of Sherlock Holmes, respectively) are off on another adventure in this sequel to Strange Beasts. This time London’s Royal Society for the Study of Abnormal Phenomena have sent them to Ireland with Jakob Van Helsing accompanying to keep an eye on things, as they don’t quite trust Hel’s loyalties or Sam’s abilities.

Like its predecessor, the vibes in this book are perfectly on point! Steeped in the darker aspects of Celtic mythology and folklore, this story was perfect for my spooky season reading (but with the Irish setting being such a large part of the story, St. Patty’s Day would be a fine time to pick it up as well!) People in Ireland are disappearing in ways that smack of the supernatural and it’s up to our team of field agents to figure out who or what is behind it all, preferably before the night of Samhain, when the veil between worlds is thinnest and dangers from the Otherworld are at their peak.

A theme of this installment is that no one is only one thing – all good or all bad. Characters who were midlevel villains of the last book have the opportunity here to show that they have another side. Our heroines have to learn to allow themselves as much grace as they do the monsters they confront in their line of work, who are sometimes made the way they are by monstrous acts committed against them.

I hadn’t recalled from the first book that the story is all told with third person POV through Sam’s perspective, so readers can only really get an idea of Hel and Van Helsing’s thoughts and feelings through their interactions with her. I do think a reread of that one would have been beneficial, as I couldn’t recall much about the situation with Sam’s grandfather, which comes into play as a fairly major plot thread here.

One complaint I have with this book is the same one I had for the first in the series – I couldn’t always follow the characters’ reasoning when they came to conclusions about things in their investigation. The answers and explanations here were a bit convoluted, with a lot going on. I kind of had to just enjoy the ride and accept the characters’ determinations without fully appreciating how they arrived at them.

Still, this was overall a fun story and perfect fit for my October reading, and I am grateful to NetGalley, Bindery Books, and Inky Phoenix Press for the eARC in exchange for my unbiased review.

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Book Review: OF MONSTERS AND MAINFRAMES by Barbara Truelove

Of Monsters and Mainframes by Barbara Truelove is a 407 page standalone novel published by Bindery Books through Ezeekat Press in 2025.

Genre:

Science Fiction, Fantasy

Synopsis:

Spaceships aren’t programmed to seek revenge—but for Dracula, Demeter will make an exception.

Demeter just wants to do her shuttling humans between Earth and Alpha Centauri. Unfortunately, her passengers keep dying—and not from equipment failures, as her AI medical system, Steward, would have her believe. These are paranormal murders, and they began when one nasty, ancient vampire decided to board Demeter and kill all her humans.

To keep from getting decommissioned, Demeter must join forces with her own team of A werewolf. An engineer built from the dead. A pharaoh with otherworldly powers. A vampire with a grudge. A fleet of cheerful spider drones. Together, this motley crew will face down the ultimate evil—Dracula.

The queer love child of pulp horror and ​classic ​sci-fi, Of Monsters and ​Mainframes ​is a dazzling, heartfelt odyssey that probes what it means to be one of society’s monsters—and explores the many types of friendship that make us human.

Opening Line:

Awaiting input…

My Thoughts:

From the laugh out loud humor to the nerve-wracking escapades, the hodgepodge group of vibrant characters to the heartening narrative threads of love and found family, this story is an absolute delight!

I hate it. I hate is as much as I hate docking systems that put zeros on the end of my name. I hate it more because it destroyed my spider drones, who were only ever polite and useful, and killed my passengers, who were neither of those things but were mine to look after. I hate it as much as I’ve ever hated anything. I hate it as much as I hate Dracula.

Demeter is the AI of a large passenger ship that shuttles people between Earth and habitation units lightyears away. She always tries her best within the confines of her programming, and it’s really not her fault that all the humans onboard are slaughtered by the ancient vampire who stowed away in a container of soil in the cargo hold before reaching their destination. Or that almost all of her next group of passengers fall at the hands (paws?) of a werewolf. But unfortunately for her, the humans don’t believe in the existence of the supernatural, and assume Demeter’s programming is faulty in some way and she has been malfunctioning.

After a few more similar encounters with the preternatural (not all of whom are necessarily enemies), Demeter winds up with a ragtag crew that, in some ways, have become family to one another. They set out for revenge on the creature who started Demeter’s downward spiral into infamy, the one that earned her the nickname of ghost ship and got her painfully optimized by the engineers of the transport company that owns her: they are going to take down Dracula.

The chapters (many of which have hilarious names – for instance, one chapter ends with the question, “Am I desperate enough to go along with it?”, and the next chapter title is, “Yes.”) cycle through several POVs throughout this book. Two of these characters are AI, and in some ways this fact along with the humorous style brought The Murderbot Diaries to mind, only in a somewhat less satisfying way as these AIs seemed a bit more anthropomorphized (i.e. Demeter’s disks shake with relief and terabytes of fear run through her wires) (also, disks in a computerized spaceship several centuries in the future?). But it was still quite entertaining.

Even though this adventurous tale has some intense moments with high stakes, it’s told in a style that had me laughing regularly. Like when Demeter says,

Agnus says she is not as smart as Isaac. I inform her this faulty assessment is likely the result of a rounding error.

or when the ship’s medical AI asks her since when she was programmed with a desire for adventure and she answers, “I’m writing the code right now”.

So we’ve got the action, adventure, and humor, but this book also delivers some really sweet messages about love, familial/platonic as well as romantic. The relationships and the lengths the characters go to for one another despite being so drastically different from one another in a multitude of ways were really very heartwarming.

“Yes,” I say. “I…I thought I was protecting my family. But I wasn’t, because I wasn’t protecting you.” “Error. I am not your fam-” “Shut up, bitch. You’re family.”

I am truly impressed with this author for producing a story that is so equally fun and touching, and I look forward to reading more of her work. Three cheers for Barbara Truelove and Of Monsters and Mainframes!

Thank you to NetGalley, Bindery Books, and Ezeekat Press for the eARC in exchange for my unbiased review.

Book Review: STRANGE BEASTS by Susan J. Morris

Strange Beasts by Susan J. Morris is a 384 page novel published in 2024 by Bindery Books.

Genre:

Mystery, Gaslamp Fantasy

Opening Line:

Samantha Harker’s heels rang on the fine marble floors as she hurried past plaster reliefs of scenes torn from myth.

My Thoughts:

Are you interested in stories about government organizations dedicated to investigating supernatural phenomena? Are you curious what a partnership between the daughter of Mina and Jonathan Harker from Bram Stoker’s Dracula and the daughter of Professor Moriarty from the Sherlock Holmes series would look like? Did you like the idea of the bookish researcher (with an academic and personal interest in the occult, like Ninth House) taking to the field like in the Emily Wilde books? The possibility of a quasi-religious/political group being behind horrific beastly attacks like in The Brotherhood of the Wolf? The scheming to trap a potential werewolf at the opera like in Gabriel Knight: The Beast Within? Do you appreciate queer representation in the books you read, with a gentle romance arc that takes a backseat to the adventurous and mysterious plot? Do you like your feminist rage to have actual, literal bite?

If you said yes to any of the above, then do I have a treat for you!

In 1903, Sam and Hel are agents of the London Field Office of The Royal Society for the Study of Abnormal Phenomena. Ostensibly, the group hunts dangerous monsters of the paranormal variety. Our two heroines are sent to Paris to look into a spree of brutal murders thought to have been committed by some kind of Capital B Beast. Their investigation takes them to illicit salons, the catacombs, the opera, and many other places besides.

The two women must learn to trust one another, which does not come easy. Sam is used to keeping her ability as a channel secret, as most people believe this means she will inevitably fall under the sway of monsters and is therefore a danger herself. Conversely, everyone knows the identity of Hel’s father, but what they don’t know is that by making the choice to free herself from his influence, she guaranteed that he will always target people she gets close to.

My one complaint is that it seems like this book tried to be and do a little too much. There’s Sam channeling, false visions, a hidden rage, Jakob Van Helsing (son of Abraham) foiling her wherever she goes in a bid to save her from her own inexorable descent into monstrousness, the men in the Royal Society discounting the abilities of the women, personal agency, the question of monster versus victim, alchemy, religious and political motivations, the potential for Moriarty to be manipulating their investigation, covert ciphers, messages sent via bees…all on top the of the basic premise of uncovering who is responsible for the murders and stopping them.

(And one extremely niggling issue: I understand that “wills o’the wisp” is probably the proper plural form, but it still sounds off enough to kick me from the immersion in the story, and it is a term that gets used SO. MUCH.)

Even with being a bit extra, this is a 4.75 star book for me. I really liked the characters, the early twentieth century Paris setting, the paranormal elements, and the investigation into the Beast killings. It was a lot of fun, and I wasn’t bored for even a moment. It does leave the door open for another adventure to come. I will be keeping an eye on this author, and this publisher, for sure.

Thank you to NetGalley, Bindery Books, and Inky Phoenix Press for the eARC in exchange for my unbiased review.

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Book Review: HOUSE OF FRANK by Kay Synclaire

House of Frank by Kay Synclaire is a standalone novel coming October 15th from Bindery Books.

Genre:

Cozy Fantasy, Romance, LGBTQIA+

Opening Line:

“Sing for me,” you whisper. “Please.”

My Thoughts:

3.5 stars for this is a cozy fantasy story with grieving as a major theme throughout, and an LGBTQIA+ romance.

Saika is a music witch mourning the death of her sister. Fiona made her promise to see that her ashes were planted at the arboretum at Ash Gardens, where they will grow into something beautiful. Even after she arrives at Ash Gardens, Saika finds she is not yet ready to part with her sister’s ashes, and she winds up staying on and helping out around the place. She gets to know the others employed there, including cherubs, an elf, a half-gargoyle, and a one-of-a-kind beast. It turns out they are all suffering their own losses, and develop relationships that allow them to help one another navigate through their grief.

This was nice story of love, loss, friendship, and healing. The range of characters was nice, although you only get to know a few of them beyond surface level. I wasn’t really feeling the romance between our two lovebirds, personally–their interactions with one another were more irritating than anything, in my opinion, but it made for a sweet story. This is a slower-paced character driven tale, and though it takes place in a fantasy world, we are only shown this one specific part of it at Ash Gardens (with one day trip into the city). Potential readers should also know the narration often veers into second person, as Saika addressing her departed sister. It’s not like the entire book is written in second person point of view, but some people may be turned off even by a portion of it being so.

Now if I may grumble a little bit – when Saika reads that a dragon laying eggs means it’s trying to start a family and explains this to others, and their response is, “I had no idea!’…what exactly was their understanding of how eggs work?! Also, this is another case of me being taken by surprise by the occasional F-word sprinkled throughout–cursing in books doesn’t bother me (as long as it’s not excessive), but was surprising in what otherwise seemed like such a wholesome story.

But overall this was a decent cozy, emotional yet hopeful read.

Thank you to Bindery Books and NetGalley for the eARC in exchange for my unbiased review.

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