Mad Science: Bits and Pieces, edited by Dave Freer, is a 251 page anthology of science fiction short stories published March 11, 2026 by Raconteur Press.
My Thoughts:
This is a collection of short stories submitted by authors prompted to write something that fits the theme “Mad Science: Bits and Pieces”, however they chose to interpret that.
This was a well done batch of stories! Featuring a range of experiments from genetically engineered and neurally modified animals to cobbled-together inventions that don’t work as expected, these were fun science fiction vignettes. The stakes are quite high in most of them, and several utilize elements of humor in the telling. Personal favorites include UNCLE EUAN: SOME ASSEMBLY REQUIRED by Malory, SONG OF THE SEA BEAST by Bret Nelson, and PAST AND PRESENT by Nate Stone.
Overall the writing is decent, the illustrations add a factor of interest, and the faux advertisements sprinkled throughout are delightful. Well done, everyone!
Thank you to Raconteur Press for the eBook in exchange for my unbiased review.
Seasons of Glass & Iron: Stories by Amal El-Mohtar is 208 page collection of short stories and poems published by Tordotcom in 2026.
Genre:
Fantasy
Blurb:
Full of glimpses into gleaming worlds and fairy tales with teeth, Seasons of Glass and Iron is a collection of acclaimed and awarded work from Amal El-Mohtar.
With confidence and style, El-Mohtar guides us through exquisitely told and sharply observed tales about life as it is, was, and could be. Like miscellany from other worlds, these stories are told in letters, diary entries, reference materials, folktales, and lyrical prose.
Full of Nebula, Locus, World Fantasy, and Hugo Award-winning and nominated stories, Seasons of Glass and Iron includes “Seasons of Glass and Iron,” “The Green Book,” “Madeleine,” “The Lonely Sea in the Sky,” “And Their Lips Rang with the Sun,” “The Truth About Owls,” “A Hollow Play,” “Anabasis,” “To Follow the Waves,” “John Hollowback and the Witch,” “Florilegia, or, Some Lies About Flowers,” “Pockets,” and more.
My Thoughts:
When I read Amal El-Mohtar’s The River has Roots I thought it was fine, but I actually enjoyed the short story from this collection featured at the end, John Hollowback and the Witch, more. I was excited to check out the rest.
This book contains fourteen short stories plus four poems. Full disclosure–I am not much of a poetry person, and I skipped those entries. Sorry, sorry!
But most of the short stories were a success for this reader (favorites include The Green Book, Madeleine, and, of course, John and the Hollowback Witch). The author is very skilled with a pen/keyboard, and so even the few tales that didn’t really hit with me were still not a hardship to read. As El-Mohtar explains in the Introduction, several of these pieces were commissioned for specific projects with a core thematic or demographic concern (witches, steampunk, fairytales; Arab, women, queer). All of the stories have a fantasy element to them, and recurring themes include birds, flowers, gemstones, female friendship (sometimes more), and women fighting back against the patriarchy.
Short stories don’t often resonate with me as well as novels do, but there was still much to enjoy in this lyrical, otherworldly, analytic work.
My thanks to NetGalley and Tordotcom for the eARC in exchange for my unbiased review.
An obsession with a beautiful serial killer entangles a vampire hunter’s daughter in an immortal sapphic romance in this enthralling gothic fantasy from the #1 New York Times bestselling author of Lucy Undying.
Anneke has a complicated relationship with her father, Abraham Van Helsing—doctor, scientist, and madman devoted to studying vampires—up until the night she comes home to find him murdered, with a surreally beautiful woman looming over his body. A woman who leaves no trace behind, other than the dreams and nightmares that plague Anneke every night.
Spurred by her desire for vengeance and armed with the latest in forensic and investigatory techniques, Anneke puts together a team of detectives to catch her mysterious serial killer. Because her father isn’t the only inexplicably dead body. There’s a trail of victims across Europe and Anneke is certain they’re all connected.
But during the years spent relentlessly hunting the killer, Anneke keeps some crucial evidence to infuriatingly coy letters, addressed only to Anneke, occasionally soaked in blood, and always signed Diavola. Devil. The obsession is mutual, and all the more dangerous for it.
The closer Anneke gets to her devil, though, the less sense the world makes. Maybe her father wasn’t a madman, after all. Diavola might be something much worse than a serial killer . . . and much harder to destroy. Because as Anneke unearths more of Diavola’s tragic past, she suspects there’s still a heart somewhere in that undead body.
A heart that beats for Anneke alone.
Opening Line:
As the crowd screams, all Henri thinks is that he’s going to be in so much trouble when his parents find out.
My Thoughts:
☠ Nineteenth century Europe ☠ Van Helsing’s daughter ☠ Murder investigations ☠ Found family ☠ Sapphic yearning ☠ Vampires!
It’s so easy to think yourself hunter only to discover you’ve always been prey.
In late nineteenth century Amsterdam, a young Anneke Van Helsing spies a creature of unnatural beauty standing over the prone and bleeding form of her father. The rest of the world believes Abraham Van Helsing took his own life, but Anneke knows better. She devotes the next several years of her life to training in forensic detective work. When a spree of bizarre deaths begin cropping up all over Europe, she alone makes the connection with her own father’s end. Finally she has caught scent of the mysterious woman, and the hunt she has long fixated on begins in earnest.
Have you been hunting me all this time? That makes me sad. He doesn’t deserve your devotion.
Our main character teams up with a lovely crew who together investigate the trail of bodies, becoming like family to one another as they devote themselves to Anneke’s search for her Diavola and vengeance for her father. Anneke spends just as much time pining for the beautiful woman she is pursuing across the continent as she does fantasizing about killing her. When Diavola begins sending her taunting letters, one wonders who is tracking whom? And as she learns more about her quarry, the question arises: have they been hunting the wrong monster all along?
“I thought I was doing the right thing,” he whispered. “Men always do.”
The setting in this book is quite fetching–canal houses in Amsterdam, cafes in Budapest, an abandoned village of the Greek islands, and finally to the Paris world’s fair, l’Exposition Universelle, for ultimate added flavor. Cinematographs, magnetic audio recorders, and the advent of the use of fingerprints in crime scene analysis further cement the reader in Anneke’s world.
The characters are easy to root for. Anneke is a competent (albeit obsessed) woman in a male-dominated field, and her companions, though we don’t dive too deep beneath the surface with them (the story is told almost entirely from Anneke’s first person POV), are quite likable. There is romance, but mostly consisting of yearning and with no explicit spicy scenes. On the other hand, LOTS of horrifying murder and corpse examination scenes (the deaths mostly relayed after the fact during the investigation phase rather than on the page).
There was a little while in the middle of this book when I wondered if it really needed to be as long as it is, but that isn’t to say the plot dragged for me at any point. In the end, I was most definitely satisfied with the story that had unfolded. Each of Kiersten White’s books that I read I enjoy even more than the one before, but I’m not sure how long that trend can continue as her work at this point is pretty fantastic! I am intrigued to see where she’ll go from here.
Thanks so much to NetGalley and Del Rey for the eARC in exchange for my unbiased review.
Lady Tremaine by Rachel Hochhauser is a 352 page standalone novel with a publish date of March 3rd, 2026.
Genre:
Fairytale Retelling, Historical Fiction
Blurb:
A breathtaking reimagining of Cinderella, as told through the eyes of its iconic “evil” stepmother, revealing a propulsive love story about the lengths a mother will go to for her children
A widow twice-over, Etheldreda is now saddled with the care of her two children, a priggish stepdaughter, and a razor-taloned peregrine falcon. Her entire life has become a ruse, just like the manor hall they live grand and ornate on the exterior, but crumbling, brick by brick, inside. Fierce in the face of her misfortune, Ethel clings to her family’s respectability, the lifeboat that will float her daughters straight into the secure banks of marriage.
When a royal ball offers the chance to secure the future she desperately desires, Etheldreda must risk her secrets, pride, and limited resources in pursuit of an invitation for her daughters—only to see her hopes fulfilled by the wrong one. As an engagement to the heir of the kingdom unfolds with unnerving speed, she discovers a sordid secret hidden in the depths of the royal family, forcing her to choose between the security she’s sought for years and the wellbeing of the feckless stepdaughter who has rebuffed her at every turn.
As if Bridgerton met Circe, and exhilarating to its core, Lady Tremaine reimagines the myth of the evil stepmother at the heart of the world’s most famous fairytale. It is a battle cry for a mother’s love for her daughters, and a celebration of women everywhere who make their own fortunes.
Opening Line:
I’ve been warned to be wary of strangers in the woods since I was a little girl.
My Thoughts:
Well, I had no idea I needed the story of Cinderella’s stepmother in my life, but it turns out I very much did!
This book does not contain any wand-waving magic, just a mother fighting to secure stable futures for her daughters. It gifts readers with the stories of Ethel’s girlhood and two marriages, setting the scene for the circumstances in which she finds herself when her two daughters and one stepdaughter all come of marriageable age. The flames of hope are fanned anew within the family when the palace issues invitations to a ball being held for the purpose of finding the prince a wife. Amidst the stresses of preparing the young women for the big event is Ethel’s worry that her own personal history with the prince’s mother, the queen herself, might stand in the way of the family’s happily-ever-after.
The author skillfully makes each of the characters from the story of Cinderella (well, most of them, at least!) sympathetic while also making the reader want to grab ahold of each of them at times and shake. Additionally, the manner in which the details from the Disney tale were woven into this version were often delightful. I was invested in these characters and the course their lives would take, and I have to say, the resolution was both rather shocking and epic!
Lady Tremaine is not perfect, but she is a wonderful heroine to spend your reading time with, and her inspiring story is not likely to leave my thoughts any time soon.
Thanks so much to NetGalley and St. Martin’s Press for the eARC in exchange for my honest review.
An ordinary man discovers a hidden world of wondrous supernatural creatures—and an unexpected home—in this enchanting contemporary fantasy debut.
one who studies cryptids; an expert in or student of supernatural history.
After a series of inexplicable encounters upends his life, Green finds himself alone and terrified in the Appalachian mountains, full of questions about the transformation he’s undergoing and the impossible creatures he’s starting to see.
When he meets a hermit named Valentina, he realizes that something more than chance has brought him to her door. For she has devoted centuries to researching the hidden world of cryptids that Green is only now beginning to perceive.
As Green begins his studies beneath her watchful eye, he comes face to face with time-stopping giant moths, cyclops squirrels, and doorways to elsewhere. Along the way come clues about his own nature and the powerful beings who led him here—and, most wondrous of all, a sense of fulfillment like nothing he’s felt before.
But Green’s new happiness promises to be short-lived, because alongside these marvels lurks a deadly threat to this place he’s already come to love.
Featuring incredible creatures and an unforgettable cast of characters, Strange Animals is a charming, addictive fantasy about the magic all around us.
Opening Line:
Green died and then he didn’t.
My Thoughts:
It is not always in our power to decide what a thing is…But what a thing means? That power may often be claimed.
What a surprising little gem of a novel!
The main character, Green, has a very strange (near?) death experience, after which he feels called to reconnect with nature, to rediscover his true self and the things in life that actually matter. He finds himself staying at a campsite in the Catskills, an area populated with some colorful characters.
“I got blood on your coat.” “It’ll wipe off. Or add character. Whichever.”
On his first night there, Green encounters a glowing deer and a horned wolf with mutable shadowy flesh. One of these creatures is a monster, one is prey – but each may not be the one you expect. Not everyone can see these beasts, and this is how Green learns he is a born cryptonaturalist. Thankfully, one of his new neighbors can teach him just what that means. Together, they work to try to protect the mountains and their inhabitants from preternatural dangers.
The characters in this book are interesting, and the dynamic between teacher and pupil is amusing at times. The details of the plot are rather original, and I enjoyed the fanciful elements of “cryptonature”. There is a sort of found family piece of the story that I very much appreciated as well. The author’s love for nature is on clear display in this tale.
How humbling is nature? How many lives could you spend studying a single tree and still feel yourself a neophyte in the school of its character? What a gift it is to know that the ship of our curiosity will never run aground in the seas of Earth’s mysteries.
This book seems to be a standalone, but I would gladly read any sequels further detailing Green’s adventures. If you find yourself drawn to the idea of an urban fantasy (but that takes place in the wilderness!) with engaging characters and a lot of heart, I definitely recommend picking this one up.
Many thanks to Ballantine Books and NetGalley for the eARC in exchange for my unbiased review.
Plasma Pulp: Lost Worlds is an anthology published by Raconteur Press in 2026 edited by Lawdog, featuring stories written by CE Hugues, Spearman Burke, Lee Allred, Dean Stone, Malory, Ted Begley, Craig A. Reed, Jr, Alan Wolfe, MD & Bam Boncher, and Ken Lizzi
Genre/Subgenre
Science Fiction, Raypunk, Plasma Pulp, Anthology
What This Is
This is the second collection of Plasma Pulp short stories put out by this publisher. So what exactly is this subgenre (also known as Raypunk)? It combines futuristic science fiction elements with an “Old School spirit of adventure” (think of the aesthetic of the Fallout franchise) told in the style of pulp fiction—which is to say, action-packed sensational stories with larger-than-life heroes and villains. Many of these stories feature the muscle-bound pilots of smuggler spacecraft wielding rayguns and plasma swords while on daring missions against mad scientists, fighting side by side with the voluptuous princesses of alien worlds (here the damsels are more likely to kick butt and take names than they are to await rescue). Our heroes sport names like Johnny, Duke, Rex, and Buck.
My Thoughts
So the thing is that any fiction that falls into the Pulp category is probably not my jam. I prefer literary depth to thrills and chills, and much more drawn to character-driven stories to plot-driven. That being said, there were definitely some stories within the collection that I found enjoyable (favorites include Spire of Doom, A Princess of the Stars, and Princess of Starways) (I wasn’t kidding about princesses being a staple of the subgenre!) The sentence level writing is not a problem, and the illustrations scattered throughout were good fun.
So while this collection may not have been exactly my cup of tea (I’m more of a coffee drinker, myself), your mileage may vary (one metaphor too many?) If this type of storytelling sounds appealing to you, give this anthology a try. Reading one or two entries at a time might provide you with the perfect bite-sized brain candy you crave in between heavier reads.
Thank you to Raconteur Press for the eARC in exchange for my unbiased review!
The Everlasting by Alix E. Harrow is a 320 page standalone novel published by Tor Books in 2025 and based off of her short story, The Six Deaths of the Saint
Genre:
Fantasy
The Blurb:
From Alix E. Harrow, the New York Times bestselling author of Starling House, comes a moving and genre-defying quest about the lady-knight whose legend built a nation, and the cowardly historian sent back through time to make sure she plays her part–even if it breaks his heart.
Sir Una Everlasting was Dominion’s greatest hero: the orphaned girl who became a knight, who died for queen and country. Her legend lives on in songs and stories, in children’s books and recruiting posters―but her life as it truly happened has been forgotten.
Centuries later, Owen Mallory―failed soldier, struggling scholar―falls in love with the tale of Una Everlasting. Her story takes him to war, to the archives―and then into the past itself. Una and Owen are tangled together in time, bound to retell the same story over and over again, no matter what it costs.
But that story always ends the same way. If they want to rewrite Una’s legend―if they want to tell a different story–they’ll have to rewrite history itself.
Opening Line:
It begins where it ends: beneath the yew tree.
My Thoughts:
You had to die, and I had to watch you die, and then I had to wipe the blood from my hands and make sure it had been worth it.
Bestill, my heart!
The other two novels I’ve read by this author were fine, but not standouts for this reader. Her short stories, however, are absolutely fantastic – and The Six Deaths of the Saint remains one of the most impressive things I’ve ever read. So when I learned this novel was based off of (inspired by?) that, I was equal parts excited and nervous – the latter because it was already so perfect as it was!
I will say that I still love the short story version best, because the shorter format means the incredible storytelling packs more of a punch. But this book is also amazing! In fact, I’m already fairly certain it will be one of my top ten reads of the year.
“There are only two kinds of story worth telling: the ones that send children to sleep, and the ones that send men to war.”
I struggle knowing what to say about this book without being too spoilery, so I feel it’s safest to share what the author herself has written about it: told in alternating second person POV, Alix E. Harrow describes it as the tale of a big sad lady-knight stuck in a time loop and the anxious historian trying to save her, and says it’s about the endless cycle of authoritarian abuse which fabricates the past in order to justify the present, but made more fun by the inclusion of a romantic arc and some sword fights.
“You know that history is mostly happenstance…It is not a lesson, until we learn it. It is not a story, until we tell it. And every story serves someone.”
I LOVE LOVE LOVED this smart, emotional time loop story about the power of narratives and an epic romance. That being said, it’s obviously probably not the best book for readers who get frustrated with time loop stories. But if that doesn’t bother you, and you love getting your heart ripped out before being placed back inside your chest (possibly with the addition of a little something extra???), you should definitely give this book (and The Six Deaths of the Saint!) a read.
Snake-Eater by T. Kingfisher is a 271 page standalone novel published in 2025 by 47North.
Genre:
Horror(-adjacent), Urban Fantasy (but in a small desert town)
The Blurb:
In an isolated desert town, a young woman seeking a fresh start is confronted by ancient gods, malevolent supernatural forces, and eccentric neighbours. A witty horror-tinged fantasy, perfect for fans of Silvia Moreno-Garcia, Chuck Tingle, and Rachel Harrison.
When Selena travels to the remote desert town of Quartz Creek in search of her estranged Aunt Amelia, she is desperate and short of options. Fleeing an unhappy marriage, she has exactly twenty-seven dollars to her name, and her only friend in the world is her dog, Copper.
On arrival, Selena learns Amelia is dead. But the inhabitants of Quartz Creek are only too happy to have a new resident. Out of money and ideas, Selena sees no harm staying in her aunt’s lovely house for a few weeks, tending to her garden and enjoying the strange, desolate beauty of the desert. The people are odd, but friendly, and eager to help Selena settle into her new home.
But Quartz Creek’s inhabitants share their town with others, old gods and spirits whose claim to the land long predates their human neighbours. Selena finds herself pursued by disturbing apparitions, visitations that come in the night and seem to want something from her.
Aunt Amelia owed a debt. Now her god has come to collect.
The Opening Line:
Selena picked her new home for no better reason than the dog laid down on the porch.
My Thoughts:
“Meep meep, motherfucker.”
Oh, how I love Kingfisher’s writing! Especially in her horror stories (although this one I would argue is only “horror-adjacent”.) Of the many books of hers that I’ve read (she is an autobuy/preorder author for me), I have awarded all but one 4 or 5 stars (usually 4 stars to her fairytale retellings and 5 to her horror novels). Snake-Eater continues that streak!
The main character in this one is Selena, a thirty-year old neurodivergent woman. When she realizes her relationship long ago reached the point where her partner was tearing her down instead of bolstering her up, she makes the decision to leave behind her life as she knows it with only $27 to her name and her loyal pooch by her side. She makes for the desert town of Quartz Creek, where her aunt lives. Unfortunately, it turns out Aunt Amelia passed away the year before. Selena finds herself at loose ends, but Amelia’s house in the historic zone is sitting empty, and the welcoming townspeople assure Selena she can stay as long as she needs to while she figures out her next move.
Over time, her lovely new neighbors begin to convince Selena that she is not as terrible at peopling as her ex always told her she was. She and her dog Copper could really get used to life in Quartz Creek, growing squash and selling corn smut, helping to craft authentic folk art for sale, sharing biweekly potluck meals at the church with her new friends.
That is, if it weren’t for the vengeful personified spirit deity of roadrunners who seems to be holding a grudge…
Kingfisher’s afterwords often make me laugh out loud just as much as her stories do. In this one she explains that when she told people she was writing a story with a roadrunner villain, they pictured the comedic cartoon bird instead of what she describes as a cross between a velociraptor and a chicken with a shiv. Seriously, these guys kill and eat rattlesnakes for breakfast!
The magical realism in this book, manifested via the mythology and folklore of the American Southwest, successfully sets a tone both whimsical and spooky as Selena works to understand the startling things going on and why she seems to be their target. As usual for a Kingfisher novel, this story features an inclusive cast of absolutely delightful characters. There is healing, growth, and a message that forging connections with people is its own act of courage.
And when Snake-Eater comes to collect, it might just be these bonds that save the day.
Disclaimer: The woman in the image looks nothing like how I pictured Selena, but this is what I wound up with while trying out Canva’s generative image feature (AI) when asking for an American Southwest desert background template.
Graceless Hearts by Isabel Ibañez is a 488 page standalone novel with a publish date of January 13, 2026 by Saturday Books.
Genre:
Historical Fantasy, Romance
Synopsis:
A lush, atmospheric and achingly magical standalone adult fantasy romance set in Renaissance Italy from a #1 New York Times bestselling author.
In 15th-century Volterra, sculptress Ravenna Maffei enters a competition hosted by a secretive, immortal family who offer an invaluable boon to the victor. Desperate to win so she can save her brother, Ravenna reveals a rare magical talent-a dangerous act in a city where magic is forbidden. Her revelation makes her a target, and she is kidnapped by the Luni family and taken to Florence, a city of breathtaking beauty and cutthroat ambition.
There, Ravenna is forced into an impossible task where failure means certain death at the hands of Saturnino dei Luni, the family’s enigmatic and merciless heir. But under his cold reserve hides a vulnerability that draws her closer than she ever intended.
Meanwhile, Ravenna’s forbidden magic does not go unnoticed. The Pope, waging war against Florence, the Medici, and magic itself, has his own interest in her abilities, seeing her as a potential weapon in his ruthless campaign.
As alliances shift and war brews on the horizon, Ravenna must navigate the treacherous line between survival and betrayal, between love and duty. With time running out and her every move watched, the choices she makes will determine the fate of not just her own life, but the fragile balance of magic and power that could unravel Florence itself.
Opening Line:
Ravenna Maffei disliked magic because her parents did, but on the day her aunt took her to visit the quarry for the first time, she learned what it was to truly loathe it.
My Thoughts:
First of all, Readers, let’s please take a moment to appreciate the stunning cover of this Historical Romantasy novel. So pretty!
Okay, now with that out of the way…
Sculptress Ravenna’s story takes place in a version of fifteenth century Italy that includes elements of the supernatural and the magical: fae, witches, and vampyres, oh my! This captivating set dressing adorns a tale deeply rooted in actual history. There is a large focus on the political unrest that featured Lorenzo de Medici and his various family members and associates at its center. The story takes us from Volterra to the glittering jewel of Florence during the height of the Renaissance…and then there’s the pope of unholy greed. He condemns anything that bears even a whiff of magic, while using its power to his own benefit. Our main character Ravenna has inherited a hint of magic herself, and thus becomes a pawn in the machinations of powerful people.
The premise of this story is great, and the setting is ::chef’s kiss::. Unfortunately, I felt the romance part of the tale leaves much to be desired, and between that and what seemed to me an unnecessary length for the story being told, my final rating dropped down a star.
It was a bit frustrating that so much of what Ravenna does in this story she is forced to do by one party or another, rarely having any agency of her own. And while I often dig the morally gray characters and antiheroes, I have to agree with another reviewer that what homegirl actually experiences with Saturnino here is Stockholm Syndrome, not true love with her captor for showing her a couple acts of kindness amidst regular abuse. And while this is an “Adult” romance due to a few spicy scenes (mostly blanketed in euphemism, so not terribly explicit), the romance aspect came across to me as sort of…unsophisticated? I just mean that, although the characters were certainly unique, the writing specific to their romance felt like the same stuff I’ve read a hundred times before. It seemed like I could predict what would be said next in the writing, just when the hero would lean back against the wall with his arms crossed in front of his chest and his legs crossed at the ankles and say something condescending while looking smoldering hot and smelling like snow-covered pine trees. Really, in general this felt more like a YA book, but marketed as Adult simply so the sexy scenes could be included.
Additionally, when the switch flipped in the relationship between Ravenna and Saturnino, it was a sudden and complete 180. And I just couldn’t understand why Ravenna did some of the things she did, like so often doing risky things when she feared he was in mortal danger, despite knowing that he is, you know, immortal.
I also think the pacing here fell a bit short. After things being drawn out for so long, all of a sudden a lot of major things happen near the end – at least, the reader is told they are, without actually being shown much of it happening. At least up until the climactic scene, which was good (although I did predict the “twist” at least a couple hundred of pages earlier).
So there was certainly a lot to enjoy here, but by the end I felt let down. Still 3 solid stars for the things that worked well, though.
Thank you to St. Martin’s Press/Saturday Books and NetGalley for the eARC in exchange for my unbiased review.
Jessica Crawford 