Author: Jessica Crawford

Book Review: GIRL IN THE CREEK by Wendy N. Wagner

| Jessica Crawford

Girl in the Creek by Wendy N. Wagner is a 272 page standalone novel published in 2025 by Tor Nightfire.

Genre:

Horror/Sporror

Synopsis:

The Girl in the Creek by Hugo Award winner Wendy N. Wagner is an atmospheric and eerie story about a Pacific Northwest forest that seems to be devouring all who enter. A perfect read for fans of T. Kingfisher and Jeff VanderMeer’s cli-fi cosmic horror.

The Clackamas National Forest has always been a sanctuary for evil—human and alien. The shadows of looming trees and long-abandoned mines shelter poachers and serial killers alike. Then there’s the ruined hotel on the outskirts of picturesque small town Faraday, Oregon, nestled in the foothills of Mt. Hood. The one drowning in mushrooms and fungus not even the local expert can identify. Not to mention the stacks of missing persons cases. Freelance writer Erin Harper arrives in Faraday to find out what happened to her brother, whose disappearance in the forest has haunted her for years. But someone else has gone missing. And when Erin finds her in the creek, the girl vanishes again — this time from the morgue, and days later her fingerprints show up at a murder scene. Maybe it’s a serial killer, or maybe it’s the spores infecting the forest and those lost inside. Erin must find answers quickly, before anyone else goes missing. But she might be next…

Opening Line:

The body lay at the very limit of daylight, the last clear place on the stones before woods framing in the ancient adit began to peel away from the walls and pile up in moldy heaps.

My Thoughts:

Buckle up, Readers, and prepare yourselves for Sporror galore!

Erin is ostensibly writing a piece for a travel a magazine when she visits a town in the foothills of Mt. Hood with a group of friends and acquaintances for a rafting trip. But she and her bestie Hari have an ulterior motive – they are investigating as part of their research for a podcast episode addressing the numerous mysterious disappearances in the area over the past several years. Erin’s own brother is one of those missing people. At the same time, readers are treated to occasional chapters from the POV of various lifeforms that have been infected by something called the Strangeness, all becoming various extensions of some central creeptastic intelligence.

There were a lot of characters introduced all in a short span of time, but Erin is the only one we learn about beyond surface level, and she is our only POV character beyond the chapters of the Strange. The other characters probably could have used a little more delving into; some side characters such as the police deputy and the Steadman brothers felt especially thin. On the other hand, the idea of the Strangeness was a super compelling one, and I thought its origins and history were really neat.

The pacing in this book is not quite perfect. It doesn’t lag at all, but rather somewhere around 66% or so things ratchet up from 0 to 60 suddenly, and then readers are just hit over and over again with some truly wild and grisly things happening with little lulls in between each crazy encounter.

Some of my all time favorite books are parasitic fungal horror, and while I enjoyed this story, it wasn’t quite to the same degree as those others. Perhaps because the tension and dread were a little less insidious and more in your face? I’m not sure I can explain the exact reason, but overall I still found this to be a 4 star read and think it’s a decent addition to the subgenre. A creepy as heck tale that keeps the reader engaged from start to finish.

Much thanks to Tor Nightfire and NetGalley for the eARC in exchange for my unbiased review.

Book Review: PORT ANNA by Libby Buck

| Jessica Crawford

Port Anna by Libby Buck is a 352 page standalone debut novel published by Simon & Schuster in 2025.

Genre:

Contemporary Fiction, Women’s Fiction

Opening Line:

A mountain of thick, dark water gathered and rose, a froth of white curling at the peak.

My Thoughts:

What a nice little trip to Maine I just took right in the middle of winter! (To clarify, I read and reviewed this book in the winter, and shared my reviews to my blog and Bookstagram closer to its publication date.)

The author’s love for the New England state is abundantly clear in this book. Readers are transported to the coast, complete with a lighthouse, sailboats, and nineteenth century cottages with ceilings of knotted wood and roofs of silvered shingles.

Our main character Gwen left her hometown of Port Anna over twenty years ago in the wake of a personal tragedy. Now in her forties and suddenly without the job and partner she assumed would be hers forever, she returns with her tail tucked between her legs. In Port Anna Gwen spends time confronting her missteps, as well as reconnecting with old friends and making some new acquaintances (including a potential love interest and a runaway teen hiding out in the forest). She begins to build her life anew.

While mostly a contemporary fiction novel, there are dashes of magical realism sprinkled throughout the story as well, most prominently exhibited by the Misses – ghosts of the lesbian couple who built Gwen’s family cottage who still let their opinions on the matters in their home known by making the walls creak and the doors slam. There is also the legend of the woman lighthouse keeper who would dive into the sea to save drowning sailors, and what ultimately became of her.

Besides being transportative, this was a very healing story about meeting ones past mistakes head on and putting one foot in front of the other until one finds their way in the world once again. Much thanks to Simon & Schuster and NetGalley for the eARC in exchange for my unbiased review.

Book Review: THE LISTENERS by Maggie Stiefvater

| Jessica Crawford

The Listeners by Maggie Stiefvater is a 400 page standalone novel published in 2025 by Viking.

Genre:

Historical Fiction, Magical Realism

Synopsis:

#1 New York Times bestselling novelist Maggie Stiefvater dazzles in this mesmerizing portrait of an irresistible heroine, an unlikely romance, and a hotel—and a world—in peril.

January 1942. The Avallon Hotel & Spa has always offered elegant luxury in the wilds of West Virginia, its mountain sweetwater washing away all of high society’s troubles.

Local girl-turned-general manager June Porter Hudson has guided the Avallon skillfully through the first pangs of war. The Gilfoyles, the hotel’s aristocratic owners, have trained her well. But when the family heir makes a secret deal with the State Department to fill the hotel with captured Axis diplomats, June must persuade her staff—many of whom have sons and husbands heading to the front lines—to offer luxury to Nazis. With a smile.

Meanwhile FBI Agent Tucker Minnick, whose coal tattoo hints at an Appalachian past, presses his ears to the hotel’s walls, listening for the diplomats’ secrets. He has one of his own, which is how he knows that June’s balancing act can have dangerous consequences: the sweetwater beneath the hotel can threaten as well as heal.

June has never met a guest she couldn’t delight, but the diplomats are different. Without firing a single shot, they have brought the war directly to her. As clashing loyalties crack the Avallon’s polished veneer, June must calculate the true cost of luxury.

Opening Line:

The day the hotel changed forever began as any other.

My Thoughts:

Belief was contagious. When you believed in one intangible thing, why not a second, why not a third. If God, then why not the listeners in the water, if the listeners in the water, why not ghosts, if ghosts, why not unicorns–

Maggie Stiefvater’s adult debut is a large heaping of historical fiction with a dash of magical realism that evokes an invigorating sense of place and authentic characters.

The setting is a luxury hotel and spa in the mountains of West Virginia, where the sweetwater from the hot and cold springs is said to have restorative powers. The year is 1942 and the U.S. has recently joined in World War II after the attack on Pearl Harbor when the State Department and FBI direct that the hotel guests all be checked out so that the hotel can be used to host (read: detain) a few hundred foreign nationals, diplomats and dignitaries from Axis nations. The hope is for diplomatic reciprocity – we treat these people well, and the Americans abroad will be treated well in turn until an exchange can be negotiated. And so the staff of the Avallon find themselves expected to treat the enemy to the heights of luxury.

June Hudson is the general manager of the hotel. Originally from a coal mining town in the mountains and abandoned when her mother couldn’t afford to take care of her during the Great Depression, June began working in housekeeping at the hotel but over the years was taken under the wing of the hotel’s owner and became an honorary member of the Gilfoyle family. She was groomed to take in his role after him because the two share a special ability to commune with the sweetwater. Because it turns out the water under the mountain, tinkling out of fonts all throughout the hotel, is closely tied to its success or failure.

Tucker Rye Minnick (whose name is almost always given in full each time in this book) is an FBI Agent assigned to surveilling the hotel’s new “guests” during their stay. He has a troubled history of his own in Appalachia, and the Germans, Japanese, and Italians in his charge provide him with the opportunity to pull off something that will impress the powers that be enough to save his career.

It was the historical fiction part of this story that worked best for me, plus the setting and characters. (The guest in 411 who hasn’t left her room in years! The neurodivergent child tasked with memorizing a coded message!) I was all in with these parts of the book, and they alone would have earned 5 stars from me.

What I didn’t love was the romance, which seemed completely unnecessary to me, and the fact that I never felt like the question of the sweetwater was fully answered to my satisfaction. In a system of quarter stars, these things bring my final rating down to a still commendable 4.75 stars.

Book Review: THE GHOSTWRITER by Julie Clark

| Jessica Crawford

The Ghostwriter by Julie Clark is a 328 page standalone novel published in 2025 by Sourcebooks Landmark.

Genre:

Mystery, Thriller

Synopsis:

June, 1975.

The Taylor family shatters in a single night when two teenage siblings are found dead in their own home. The only surviving sibling, Vincent, never shakes the whispers and accusations that he was the one who killed them. Decades later, the legend only grows as his career as a horror writer skyrockets.

Ghostwriter Olivia Dumont has spent her entire professional life hiding the fact that she is the only child of Vincent Taylor. Now on the brink of financial ruin, she’s offered a job to ghostwrite her father’s last book. What she doesn’t know, though, is that this project is another one of his lies. Because it’s not another horror novel he wants her to write.

After fifty years of silence, Vincent Taylor is finally ready to talk about what really happened that night in 1975.

Opening Line:

“I know what your dad did.”

My Thoughts:

This is an engaging mystery told through the lens of a ghostwriter penning the memoir of an unreliable narrator and trying to puzzle out the truth about an old murder case. It’s written in the first person present tense, and chapters rotate through three POVs in two timelines – Olivia in the present time, and her father and aunt in the months leading up to the murders in 1975. There’s a lot of nostalgia for those who grew up in the seventies here! We see a lot of flashbacks (and actual video footage from fourteen year old Aunt Poppy’s Super 8 camera) displaying family life and social issues of the era.

Did I side eye some of the details in this book? Sure. Did I remain hooked to the unfolding story anyway? You bet!

I’m beginning to realize that once you lie about your past, you wall yourself off from the present. From the people that care about you.

Book Review: OF MONSTERS AND MAINFRAMES by Barbara Truelove

| Jessica Crawford

Of Monsters and Mainframes by Barbara Truelove is a 407 page standalone novel published by Bindery Books through Ezeekat Press in 2025.

Genre:

Science Fiction, Fantasy

Synopsis:

Spaceships aren’t programmed to seek revenge—but for Dracula, Demeter will make an exception.

Demeter just wants to do her shuttling humans between Earth and Alpha Centauri. Unfortunately, her passengers keep dying—and not from equipment failures, as her AI medical system, Steward, would have her believe. These are paranormal murders, and they began when one nasty, ancient vampire decided to board Demeter and kill all her humans.

To keep from getting decommissioned, Demeter must join forces with her own team of A werewolf. An engineer built from the dead. A pharaoh with otherworldly powers. A vampire with a grudge. A fleet of cheerful spider drones. Together, this motley crew will face down the ultimate evil—Dracula.

The queer love child of pulp horror and ​classic ​sci-fi, Of Monsters and ​Mainframes ​is a dazzling, heartfelt odyssey that probes what it means to be one of society’s monsters—and explores the many types of friendship that make us human.

Opening Line:

Awaiting input…

My Thoughts:

From the laugh out loud humor to the nerve-wracking escapades, the hodgepodge group of vibrant characters to the heartening narrative threads of love and found family, this story is an absolute delight!

I hate it. I hate is as much as I hate docking systems that put zeros on the end of my name. I hate it more because it destroyed my spider drones, who were only ever polite and useful, and killed my passengers, who were neither of those things but were mine to look after. I hate it as much as I’ve ever hated anything. I hate it as much as I hate Dracula.

Demeter is the AI of a large passenger ship that shuttles people between Earth and habitation units lightyears away. She always tries her best within the confines of her programming, and it’s really not her fault that all the humans onboard are slaughtered by the ancient vampire who stowed away in a container of soil in the cargo hold before reaching their destination. Or that almost all of her next group of passengers fall at the hands (paws?) of a werewolf. But unfortunately for her, the humans don’t believe in the existence of the supernatural, and assume Demeter’s programming is faulty in some way and she has been malfunctioning.

After a few more similar encounters with the preternatural (not all of whom are necessarily enemies), Demeter winds up with a ragtag crew that, in some ways, have become family to one another. They set out for revenge on the creature who started Demeter’s downward spiral into infamy, the one that earned her the nickname of ghost ship and got her painfully optimized by the engineers of the transport company that owns her: they are going to take down Dracula.

The chapters (many of which have hilarious names – for instance, one chapter ends with the question, “Am I desperate enough to go along with it?”, and the next chapter title is, “Yes.”) cycle through several POVs throughout this book. Two of these characters are AI, and in some ways this fact along with the humorous style brought The Murderbot Diaries to mind, only in a somewhat less satisfying way as these AIs seemed a bit more anthropomorphized (i.e. Demeter’s disks shake with relief and terabytes of fear run through her wires) (also, disks in a computerized spaceship several centuries in the future?). But it was still quite entertaining.

Even though this adventurous tale has some intense moments with high stakes, it’s told in a style that had me laughing regularly. Like when Demeter says,

Agnus says she is not as smart as Isaac. I inform her this faulty assessment is likely the result of a rounding error.

or when the ship’s medical AI asks her since when she was programmed with a desire for adventure and she answers, “I’m writing the code right now”.

So we’ve got the action, adventure, and humor, but this book also delivers some really sweet messages about love, familial/platonic as well as romantic. The relationships and the lengths the characters go to for one another despite being so drastically different from one another in a multitude of ways were really very heartwarming.

“Yes,” I say. “I…I thought I was protecting my family. But I wasn’t, because I wasn’t protecting you.” “Error. I am not your fam-” “Shut up, bitch. You’re family.”

I am truly impressed with this author for producing a story that is so equally fun and touching, and I look forward to reading more of her work. Three cheers for Barbara Truelove and Of Monsters and Mainframes!

Thank you to NetGalley, Bindery Books, and Ezeekat Press for the eARC in exchange for my unbiased review.

Book Review: THE BOMBSHELL by Darrow Farr

| Jessica Crawford

The Bombshell by Darrow Farr is a 416 page standalone novel published in 2025 by Pamela Dorman Books.

Genre:

Literary Fiction, Popular Fiction, Historical Fiction

Synopsis:

A young woman’s radicalization sparks a widespread movement and media frenzy in this explosive novel of youthful passion, political awakening and first love, by an extraordinary new talent.


Corsica, 1993. As a sun-drenched Mediterranean summer heads into full swing, beautiful and brash seventeen-year-old Severine Guimard is counting down the days until graduation, dreaming of stardom while smoking cigarettes and seducing boys in her class to pass the time. The pampered French-American daughter of a politician, Severine knows she’s destined for bigger things

That is, until one night, Severine is snatched off her bike by a militant trio fighting for Corsican independence and held for a large ransom. When the men fumble negotiating her release, the four become unlikely housemates deep in the island’s remote interior. Eager to gain the upper hand, Severine sets out to charm her captors, and soon, the handsome, intellectual leader, Bruno, the gentle university student, Tittu, and even the gruff, unflappable Petru grow to enjoy the company of their headstrong hostage.

As Severine is exposed to the group’s political philosophy, the ideas of Marx and Fanon begin to take root. With her flair for the spotlight and newfound beliefs, Severine becomes the face of a radical movement for a global TV audience. What follows is a summer of passion and terror, careening toward an inevitable, explosive conclusion, as Severine steps into the biggest role of her life.

The Bombshell is an electric novel filled with seduction and fervor as it explores the wonders and perils of youthful idealism, the combustibility of celebrity, and the sublime force of young love.

Opening Line:

In the hours before her kidnapping, Séverine Guimard claimed Antoine Carsenti’s virginity in a grotto overlooking the Mediterranean Sea.

My Thoughts:

Maybe he was a kind of oracle, and maybe they were hurtling towards a cliff’s edge on a train whose brakes she herself had dismantled.

In 1993 Severine, the daughter of the French prefect of Corsica, is abducted by a group of militant revolutionaries. When the minister of the interior refuses to negotiate with terrorists and meet their demands to release a political prisoner, the freedom fighters are left with an egotistical and brash seventeen year old girl on their hands, one who knows how to charm and manipulate people to her liking. After being given reading material about the cleansing force of violence when overthrowing oppressors to pass her time in captivity, Severine decides she wants to join the revolution. She wants to help eradicate injustice, sure – but she also really wants to be famous as the mouthpiece for the organization, and the liberation movement as a whole.

Here was Severine at the top of some mountain, speaking to a camera for five minutes, and consequently, down below, fire, blood, smoke, ash.

I was sucked into this story! Severine was a great main character – not a great person all the time, certainly, but a really fascinating and bold driving force of the story. She is not one to let decisions be made for her, and is often able to mold things into the shape of her choosing using all the wiles at her disposal. And, now, also bombs.

In that moment, she understood something else essential about Bruno: as long as she assured him of his virtuousness and correctness, he’d believe it.

I also actually wound up feeling a certain kind of way for this little found family of revolutionaries! Although I never held out much hope for their chances, when they wound up effectively being led by someone who was in it for the right and wrong reasons.

…[she] had the unsettling realization that everything she’d ever done, any choice she’d ever made, was in consideration of men. Without an audience of even one man, who was she?”

This book doesn’t end in a manner that was as big and revelatory as I had anticipated. It’s a pretty quiet finish to an otherwise explosive story, but still satisfying enough in its own way.

Book Review: A FAMILY MATTER by Claire Lynch

| Jessica Crawford

A Family Matter by Claire Lynch is a 240 page novel from Scribner with a publish date of June 3, 2025.

Genre:

Literary Fiction

Synopsis:

An exquisite and revelatory debut novel about the devastating consequences of one woman’s affair.

1982. Dawn is a young mother, still adjusting to life with her husband, when Hazel lights up her world like a torch in the dark. Theirs is the kind of connection that’s impossible to resist, and suddenly life is more complicated, and more joyful, than Dawn ever expected. But she has responsibilities and commitments. She has a daughter.

2022. Heron has just received news from his doctor that turns everything upside down. He’s an older man, stuck in the habits of a quiet existence. Telling Maggie, his only child—the person around whom his life has revolved—seems impossible. Heron can’t tell her about his diagnosis, just as he can’t reveal all the other secrets he’s been keeping from her for so many years.

A Family Matter is a heartbreaking and hopeful exploration of love and loss, intimacy and injustice, custody and care, and whether it is possible to heal from the wounds of the past in the changed world of today.

Opening Line:

Five and a half hours after he found out he was dying, Heron drove to his favorite supermarket.

My Thoughts:

This is an emotional story of family, love, and grief. It’s based not off a specific event, but the period of UK history (recent – 1980s) when lesbians would often lose any and all access to their children, the court claiming cutting these women out of the children’s lives would protect from immorality and save them from the shame of having a gay parent and the public ridicule it might bring.

Heron has raised Maggie by himself since she was 4 years old, and the book opens with him, now in his sixties, receiving a cancer diagnosis. Chapters rotate through 4 POVs, and a big chunk of them follow Maggie, now 43 years and dealing with many things this reader found relatable – aging parents (and in her case, having to face a parent’s mortality head on), marriage along with all of its features and bugs, raising children (including a patronizing teenager), and never feeling like there is enough time.

She is prone to thoughts like this lately, about time passing too quickly, or running out altogether. About everything slipping out of her grasp. When she told Conor she felt this way, he said it was just her age, textbook midlife crisis. Maggie had advised him, on the grounds of his own health and safety, not to offer that as an explanation again.

Another line I liked:

There ought to be more to life than washing machines and emails and remembering to put the recycling out on the right day. But life is also this. It is all of this.

Other chapters follow Dawn, Maggie’s mother, in 1982. Dawn is married and has a young daughter when she meets Hazel.

Dawn couldn’t understand it, the way Hazel made her nervous. The feeling that her mouth was full of all the things she would say if she wasn’t too embarrassed to put herself into words.

An affair is scandalous enough, but two women falling in love was even more taboo at the time. In an effort to still be able to see her daughter, Dawn suffers through indignity after indignity, like the court officials grilling her on the specifics of her sex life.

There is a lot of beautiful writing in this book, but my one complaint is that it seemed uneven in its telling. The beginning had a heavy focus on Heron and his illness, and then by the end this trail of narrative seems to kind of peter out. Maggie and Dawn have chapters throughout, but last parts of the book belong much more to the two of them. And then those just sort of end as well, without much of a climax or any sort of denouement. There were also several Britishisms that threw me a bit, but obviously that is not a fault, just something to be aware of.

I wish the parts of the story, Heron’s mortaltiy/navigating family life/what makes it all meaningful, etc etc, and Dawn’s love story along with its tragic and infuriating outcome, were brought together more cohesively. As it is, it seems kind of like two separate stories, requiring one to be dropped partway though in order to tell the other. But I really did enjoy the writing and the sentiments – Heron knowing the hardest thing about his cancer is watching his daughter watch him dying, Maggie understanding that it is important and necessary for her children to grow away from her in some respects, and Dawn’s reckoning:

Later-I mean years later-I realized the worst thing had already happened to me. When I worked that out, I was invincible.

A beautiful heartache of a story that ultimately offers hope.

My thanks to NetGalley and Scribner for the eARC in exchange for my unbiased review.

Book Review: THE LAST FERRY OUT by Andrea Bartz

| Jessica Crawford

The Last Ferry Out by Andrea Bartz is a 320 page standalone novel published in Ballantine Books May 20, 2025.

Genre:

Thriller, Mystery

Opening Line:

Blood hits limestone and splatters for a second before the rain beats it back, diluting it and sluicing it away in pink rivulets.

My Thoughts:

What a nice, original thriller!

Abby’s fiancée died four months ago while spending a few weeks on an isolated Mexican island in order to finish her capstone project in a peaceful location free of distractions. Eszter had died from an apparent allergic reaction. Now, Abby herself travels to Isla Colel in an effort to feel closer to her lost love, to see how she spent her last days alive, to understand how the unthinkable could have happened. As Abby meets and learns the secrets of the island’s residents and the group of expats who have fallen in love with the desolate locale (as well as the blank slate it offers), she begins to see that she never knew the woman she loved as well as she thought she did.

Abby was a wonderful main character, a grieving woman who learned to survive by being bold and valuing efficiency. Eszter was the daughter of Hungarian immigrants, and desired her parents’ approval despite their strictness and unyielding expectations. Isla Colel was a beautifully evocative setting, with the fonda, tropical beaches, limestone cliffs, and bioluminescent bay…and also with the abandoned resort hotel and rusting comm tower lending a more menacing air.

Just before her death, Eszter texted Abby, “There’s something I need to tell you.” The mystery of this story stems from Abby trying to understand what that might have been, and as she talks to the people her fiancée spent her last days with, it becomes clear that someone knows more than they’re saying. This was a refreshingly unique and decently smart mystery/thriller. Some readers are happy with the works of certain prolific authors who can’t be bothered to fact check the details in their books or to worry that the plot makes sense, as long as they’re telling an interesting story. To me, this book was a cut above that type of thing, for sure. And then just when you think it’s over and the resolution complete, out trots a twist that is just ::chef’s kiss::. Good stuff! 4.5 stars.

Thank you to NetGalley and Ballantine Books of Penguin Random House for the eARC in exchange for my unbiased review.

Book Review: THE LANGUAGE OF THE BIRDS by K. A. Merson

| Jessica Crawford

The Language of the Birds by K. A. Merson is a 368 page standalone debut novel from Ballantine Books with a publish date of May 13, 2025.

Genre:

Mystery, Thriller

Opening Line:

Arizona cradles the figure-eight pendant between her thumb and finger and counts the days since her dad died–seventeen, the same as her age, and a prime number.

My Thoughts:

This is an impressive debut by an author who cites the following influences: Andy Weir for showing that science and math writing can be accessible, Blake Crouch for demonstrating how genres can be blended and bent seamlessly, Steig Larsson for writing an inspirational heroine, and Stephen King for inspiring others to make a serious effort at writing.

Arizona is a neurodivergent seventeen year old traveling with her mother to spread her recently-deceased father’s ashes in some of the places he loved. After her mother goes missing at Bodie State Historic Park in California, Arizona receives a phone call from a stranger – he is part of a group that has her mother, is familiar with Arizona’s idiosyncrasies, and demands that she help them solve a cryptic puzzle if she wants to see her mother returned safely. But how do they know this about her, and how is the group that kidnapped her mother tied to her late father?

There were flavors of The Davinci Code in this story, as Arizona works her way through multiple puzzles using ciphers and all sorts of logic exercises with which I can’t pretend to be familiar. There are a lot of diagrams and maps in this book, as we follow Arizona and her dog Mojo along on this high-stakes adventure. Did I skim over many of the parts trying to explain how she figured out what the encrypted messages and riddles meant (fractals, Euclidean space, monoalphabetic substitution ciphers, frequency analyses)? You bet. Did I get a kick out of the story featuring the history of alchemy and U.S. history and geography anyway? Heck yeah!

This books tells a smart puzzle-filled adventure of a story while also showing us personal growth in Arizona as she learns a bit more about learning to trust people enough to form relationships, and that emotions can’t be dealt with in the same way as mathematical equations. On display is the author’s own love of historical mysteries, literature, and even topography/U.S. geography and an outdoor/nomadic lifestyle. Well done!

I received an eARC of this book from NetGalley and Ballantine Books of Penguin Random House in exchange for my unbiased review.

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