Book Review: THE LISTENERS by Maggie Stiefvater

The Listeners by Maggie Stiefvater is a 400 page standalone novel published in 2025 by Viking.

Genre:

Historical Fiction, Magical Realism

Synopsis:

#1 New York Times bestselling novelist Maggie Stiefvater dazzles in this mesmerizing portrait of an irresistible heroine, an unlikely romance, and a hotel—and a world—in peril.

January 1942. The Avallon Hotel & Spa has always offered elegant luxury in the wilds of West Virginia, its mountain sweetwater washing away all of high society’s troubles.

Local girl-turned-general manager June Porter Hudson has guided the Avallon skillfully through the first pangs of war. The Gilfoyles, the hotel’s aristocratic owners, have trained her well. But when the family heir makes a secret deal with the State Department to fill the hotel with captured Axis diplomats, June must persuade her staff—many of whom have sons and husbands heading to the front lines—to offer luxury to Nazis. With a smile.

Meanwhile FBI Agent Tucker Minnick, whose coal tattoo hints at an Appalachian past, presses his ears to the hotel’s walls, listening for the diplomats’ secrets. He has one of his own, which is how he knows that June’s balancing act can have dangerous consequences: the sweetwater beneath the hotel can threaten as well as heal.

June has never met a guest she couldn’t delight, but the diplomats are different. Without firing a single shot, they have brought the war directly to her. As clashing loyalties crack the Avallon’s polished veneer, June must calculate the true cost of luxury.

Opening Line:

The day the hotel changed forever began as any other.

My Thoughts:

Belief was contagious. When you believed in one intangible thing, why not a second, why not a third. If God, then why not the listeners in the water, if the listeners in the water, why not ghosts, if ghosts, why not unicorns–

Maggie Stiefvater’s adult debut is a large heaping of historical fiction with a dash of magical realism that evokes an invigorating sense of place and authentic characters.

The setting is a luxury hotel and spa in the mountains of West Virginia, where the sweetwater from the hot and cold springs is said to have restorative powers. The year is 1942 and the U.S. has recently joined in World War II after the attack on Pearl Harbor when the State Department and FBI direct that the hotel guests all be checked out so that the hotel can be used to host (read: detain) a few hundred foreign nationals, diplomats and dignitaries from Axis nations. The hope is for diplomatic reciprocity – we treat these people well, and the Americans abroad will be treated well in turn until an exchange can be negotiated. And so the staff of the Avallon find themselves expected to treat the enemy to the heights of luxury.

June Hudson is the general manager of the hotel. Originally from a coal mining town in the mountains and abandoned when her mother couldn’t afford to take care of her during the Great Depression, June began working in housekeeping at the hotel but over the years was taken under the wing of the hotel’s owner and became an honorary member of the Gilfoyle family. She was groomed to take in his role after him because the two share a special ability to commune with the sweetwater. Because it turns out the water under the mountain, tinkling out of fonts all throughout the hotel, is closely tied to its success or failure.

Tucker Rye Minnick (whose name is almost always given in full each time in this book) is an FBI Agent assigned to surveilling the hotel’s new “guests” during their stay. He has a troubled history of his own in Appalachia, and the Germans, Japanese, and Italians in his charge provide him with the opportunity to pull off something that will impress the powers that be enough to save his career.

It was the historical fiction part of this story that worked best for me, plus the setting and characters. (The guest in 411 who hasn’t left her room in years! The neurodivergent child tasked with memorizing a coded message!) I was all in with these parts of the book, and they alone would have earned 5 stars from me.

What I didn’t love was the romance, which seemed completely unnecessary to me, and the fact that I never felt like the question of the sweetwater was fully answered to my satisfaction. In a system of quarter stars, these things bring my final rating down to a still commendable 4.75 stars.

Book Review: THE GHOSTWRITER by Julie Clark

The Ghostwriter by Julie Clark is a 328 page standalone novel published in 2025 by Sourcebooks Landmark.

Genre:

Mystery, Thriller

Synopsis:

June, 1975.

The Taylor family shatters in a single night when two teenage siblings are found dead in their own home. The only surviving sibling, Vincent, never shakes the whispers and accusations that he was the one who killed them. Decades later, the legend only grows as his career as a horror writer skyrockets.

Ghostwriter Olivia Dumont has spent her entire professional life hiding the fact that she is the only child of Vincent Taylor. Now on the brink of financial ruin, she’s offered a job to ghostwrite her father’s last book. What she doesn’t know, though, is that this project is another one of his lies. Because it’s not another horror novel he wants her to write.

After fifty years of silence, Vincent Taylor is finally ready to talk about what really happened that night in 1975.

Opening Line:

“I know what your dad did.”

My Thoughts:

This is an engaging mystery told through the lens of a ghostwriter penning the memoir of an unreliable narrator and trying to puzzle out the truth about an old murder case. It’s written in the first person present tense, and chapters rotate through three POVs in two timelines – Olivia in the present time, and her father and aunt in the months leading up to the murders in 1975. There’s a lot of nostalgia for those who grew up in the seventies here! We see a lot of flashbacks (and actual video footage from fourteen year old Aunt Poppy’s Super 8 camera) displaying family life and social issues of the era.

Did I side eye some of the details in this book? Sure. Did I remain hooked to the unfolding story anyway? You bet!

I’m beginning to realize that once you lie about your past, you wall yourself off from the present. From the people that care about you.

Book Review: OF MONSTERS AND MAINFRAMES by Barbara Truelove

Of Monsters and Mainframes by Barbara Truelove is a 407 page standalone novel published by Bindery Books through Ezeekat Press in 2025.

Genre:

Science Fiction, Fantasy

Synopsis:

Spaceships aren’t programmed to seek revenge—but for Dracula, Demeter will make an exception.

Demeter just wants to do her shuttling humans between Earth and Alpha Centauri. Unfortunately, her passengers keep dying—and not from equipment failures, as her AI medical system, Steward, would have her believe. These are paranormal murders, and they began when one nasty, ancient vampire decided to board Demeter and kill all her humans.

To keep from getting decommissioned, Demeter must join forces with her own team of A werewolf. An engineer built from the dead. A pharaoh with otherworldly powers. A vampire with a grudge. A fleet of cheerful spider drones. Together, this motley crew will face down the ultimate evil—Dracula.

The queer love child of pulp horror and ​classic ​sci-fi, Of Monsters and ​Mainframes ​is a dazzling, heartfelt odyssey that probes what it means to be one of society’s monsters—and explores the many types of friendship that make us human.

Opening Line:

Awaiting input…

My Thoughts:

From the laugh out loud humor to the nerve-wracking escapades, the hodgepodge group of vibrant characters to the heartening narrative threads of love and found family, this story is an absolute delight!

I hate it. I hate is as much as I hate docking systems that put zeros on the end of my name. I hate it more because it destroyed my spider drones, who were only ever polite and useful, and killed my passengers, who were neither of those things but were mine to look after. I hate it as much as I’ve ever hated anything. I hate it as much as I hate Dracula.

Demeter is the AI of a large passenger ship that shuttles people between Earth and habitation units lightyears away. She always tries her best within the confines of her programming, and it’s really not her fault that all the humans onboard are slaughtered by the ancient vampire who stowed away in a container of soil in the cargo hold before reaching their destination. Or that almost all of her next group of passengers fall at the hands (paws?) of a werewolf. But unfortunately for her, the humans don’t believe in the existence of the supernatural, and assume Demeter’s programming is faulty in some way and she has been malfunctioning.

After a few more similar encounters with the preternatural (not all of whom are necessarily enemies), Demeter winds up with a ragtag crew that, in some ways, have become family to one another. They set out for revenge on the creature who started Demeter’s downward spiral into infamy, the one that earned her the nickname of ghost ship and got her painfully optimized by the engineers of the transport company that owns her: they are going to take down Dracula.

The chapters (many of which have hilarious names – for instance, one chapter ends with the question, “Am I desperate enough to go along with it?”, and the next chapter title is, “Yes.”) cycle through several POVs throughout this book. Two of these characters are AI, and in some ways this fact along with the humorous style brought The Murderbot Diaries to mind, only in a somewhat less satisfying way as these AIs seemed a bit more anthropomorphized (i.e. Demeter’s disks shake with relief and terabytes of fear run through her wires) (also, disks in a computerized spaceship several centuries in the future?). But it was still quite entertaining.

Even though this adventurous tale has some intense moments with high stakes, it’s told in a style that had me laughing regularly. Like when Demeter says,

Agnus says she is not as smart as Isaac. I inform her this faulty assessment is likely the result of a rounding error.

or when the ship’s medical AI asks her since when she was programmed with a desire for adventure and she answers, “I’m writing the code right now”.

So we’ve got the action, adventure, and humor, but this book also delivers some really sweet messages about love, familial/platonic as well as romantic. The relationships and the lengths the characters go to for one another despite being so drastically different from one another in a multitude of ways were really very heartwarming.

“Yes,” I say. “I…I thought I was protecting my family. But I wasn’t, because I wasn’t protecting you.” “Error. I am not your fam-” “Shut up, bitch. You’re family.”

I am truly impressed with this author for producing a story that is so equally fun and touching, and I look forward to reading more of her work. Three cheers for Barbara Truelove and Of Monsters and Mainframes!

Thank you to NetGalley, Bindery Books, and Ezeekat Press for the eARC in exchange for my unbiased review.

Book Review: THE BOMBSHELL by Darrow Farr

The Bombshell by Darrow Farr is a 416 page standalone novel published in 2025 by Pamela Dorman Books.

Genre:

Literary Fiction, Popular Fiction, Historical Fiction

Synopsis:

A young woman’s radicalization sparks a widespread movement and media frenzy in this explosive novel of youthful passion, political awakening and first love, by an extraordinary new talent.


Corsica, 1993. As a sun-drenched Mediterranean summer heads into full swing, beautiful and brash seventeen-year-old Severine Guimard is counting down the days until graduation, dreaming of stardom while smoking cigarettes and seducing boys in her class to pass the time. The pampered French-American daughter of a politician, Severine knows she’s destined for bigger things

That is, until one night, Severine is snatched off her bike by a militant trio fighting for Corsican independence and held for a large ransom. When the men fumble negotiating her release, the four become unlikely housemates deep in the island’s remote interior. Eager to gain the upper hand, Severine sets out to charm her captors, and soon, the handsome, intellectual leader, Bruno, the gentle university student, Tittu, and even the gruff, unflappable Petru grow to enjoy the company of their headstrong hostage.

As Severine is exposed to the group’s political philosophy, the ideas of Marx and Fanon begin to take root. With her flair for the spotlight and newfound beliefs, Severine becomes the face of a radical movement for a global TV audience. What follows is a summer of passion and terror, careening toward an inevitable, explosive conclusion, as Severine steps into the biggest role of her life.

The Bombshell is an electric novel filled with seduction and fervor as it explores the wonders and perils of youthful idealism, the combustibility of celebrity, and the sublime force of young love.

Opening Line:

In the hours before her kidnapping, Séverine Guimard claimed Antoine Carsenti’s virginity in a grotto overlooking the Mediterranean Sea.

My Thoughts:

Maybe he was a kind of oracle, and maybe they were hurtling towards a cliff’s edge on a train whose brakes she herself had dismantled.

In 1993 Severine, the daughter of the French prefect of Corsica, is abducted by a group of militant revolutionaries. When the minister of the interior refuses to negotiate with terrorists and meet their demands to release a political prisoner, the freedom fighters are left with an egotistical and brash seventeen year old girl on their hands, one who knows how to charm and manipulate people to her liking. After being given reading material about the cleansing force of violence when overthrowing oppressors to pass her time in captivity, Severine decides she wants to join the revolution. She wants to help eradicate injustice, sure – but she also really wants to be famous as the mouthpiece for the organization, and the liberation movement as a whole.

Here was Severine at the top of some mountain, speaking to a camera for five minutes, and consequently, down below, fire, blood, smoke, ash.

I was sucked into this story! Severine was a great main character – not a great person all the time, certainly, but a really fascinating and bold driving force of the story. She is not one to let decisions be made for her, and is often able to mold things into the shape of her choosing using all the wiles at her disposal. And, now, also bombs.

In that moment, she understood something else essential about Bruno: as long as she assured him of his virtuousness and correctness, he’d believe it.

I also actually wound up feeling a certain kind of way for this little found family of revolutionaries! Although I never held out much hope for their chances, when they wound up effectively being led by someone who was in it for the right and wrong reasons.

…[she] had the unsettling realization that everything she’d ever done, any choice she’d ever made, was in consideration of men. Without an audience of even one man, who was she?”

This book doesn’t end in a manner that was as big and revelatory as I had anticipated. It’s a pretty quiet finish to an otherwise explosive story, but still satisfying enough in its own way.