The God of the Woods by Liz Moore is a 496 page novel published by Riverhead Books in 2024.
Genre: Literary Mystery
Opening Line:
The bed is empty.
Synopsis:
When a teenager vanishes from her Adirondack summer camp, two worlds collide
Early morning, August 1975: a camp counselor discovers an empty bunk. Its occupant, Barbara Van Laar, has gone missing. Barbara isn’t just any thirteen-year-old: she’s the daughter of the family that owns the summer camp and employs most of the region’s residents. And this isn’t the first time a Van Laar child has disappeared. Barbara’s older brother similarly vanished fourteen years ago, never to be found.
As a panicked search begins, a thrilling drama unfolds. Chasing down the layered secrets of the Van Laar family and the blue-collar community working in its shadow, Moore’s multi-threaded story invites readers into a rich and gripping dynasty of secrets and second chances. It is Liz Moore’s most ambitious and wide-reaching novel yet.
My Thoughts:
This character-driven mystery was super engaging, managing to be both propulsive and emotionally resonant. It’s a missing persons mystery (two, actually, and the question of whether or not they’re related) with a generous helping of Rich People Behaving Badly. I don’t know that it really does anything that new or different, but a short way into reading this book I found I didn’t want to set it down, and finished it all in what I think was basically two sittings!
Rich people, thought Judy–she thought this then, and she thinks it now–generally become most enraged when they sense they’re about to be held accountable for their wrongs.
The story takes place on a wilderness preserve in the Adirondack Mountains in New York State, where characters have learned a healthy respect for the forest, its bounty as well as its dangers (AKA it’s features as well as it’s…bugs. Ha!) Chapters follow a rotation of several people: the missing teen’s bunkmate, their camp counselor, the investigator looking into her disappearance, and the mother of the missing children. The timeline also jumps back and forth from the 1950s, 1961, 1973, and the summer months of 1975, and the author makes this clear through the use of a header at the beginning of each chapter. I think Alice’s chapters hit me the hardest–how small her husband made her feel, the purity of her love for Bear.
Only with her son did she have a connection that existed outside any hierarchy of authority. She loved him plainly, without condition or complexity. And she believed he loved her the same way.
I’m going to miss being with these characters. I’d say there is an excellent chance this book will wind up as one of my top ten reads of the year!
Jessica Crawford 